Author name: Jack Sullivan

Boston’s Burke Went Cuckoo for Whiskey

 Possibly originating with the term “cloud cuckoo land” from the play “The Birds” by the ancient Greek playwright Aristophanes, the word “cuckoo” is often used to describe a  person who is out of their mind.  Boston liquor dealer Michael…

W. T. Bartley and His “Belle of Nelson” Ad

 

Although William Bartley, shown here, is not numbered among the major figures of Kentucky distilling, often referred to as “Barons,”  his Belle of Nelson whiskey generated what arguably can be considered the most iconic advertisement of the  pre-Prohibition era.  Some 138 years after it first appeared the image today can be purchased in multiple formats from multiple sources.  


Shown below, the picture allegedly offered a view inside the harem of a wealthy sheikh inhabited by a number of light skinned, well endowed women who are perfectly nude.  Two are lounging in the foreground while a servant woman of color offers them hookah pipes.  The half moon label advertises “Belle of Nelson, Old Fashioned Hand Made Sour Mash Whiskey.” and below, “Distilled by the Belle of Nelson Distillery Co., Louisville.”



Sources indicates that Bartley ordered this ad from the Wells & Hope Company of Philadelphia.  Located at 918-922 Vine Street, this printing firm was established by John F. Hope and Joseph Lewis Wells in 1845.   Their company, one that hired a cohort of anonymous artists, was known for production of lithographs in paper and metal signs, glass, and mirror advertisements.  Distilleries and breweries were among frequent customers.


Indications are that Bartley first used the harem scene ad in October 1882, about one year after he had purchased the rights to the name “Belle of Nelson” from the Mattingly & Moore Company.  That distillery, at least temporarily, had suffered financial reverses that caused it to declare bankruptcy for its distillery located outside Bardstown, Kentucky..  Bartley, located in Louisville, subsequently moved the operation about 54 miles south of that city to New Hope, Nelson County, Kentucky. The site was on the South Fork of Pottinger Creek about two miles from the Marion County Line.  There on eight acres Bartley built a large new distillery on eight acres, shown below.



Insurance underwriter records note that the distillery was frame construction with a metal or slate roof. There were three warehouses and an annex:  Warehouse A was iron clad with a metal or slate roof located 327 feet west of the still house. This was a free  (non-bonded) warehouse situated on a hilltop.  Warehouse B was iron clad with a metal or slate roof located 160 feet south of the still house. It  also was on a hilltop. Warehouse C was iron clad with a metal or slate roof sited 260 feet from the still house.  The annex building also was iron clad with a metal or slate roof 210 feet southwest of the still house. Slops from the mashing process were fed to cattle, housed in a nearby frame barn. The Belle of Nelson Distillery was a major Kentucky whiskey-making facility.


But who was William Bartley?  Not from one of the Kentucky dynastic distillery families, he was born in August 1813 in Edinburgh, Scotland.  His parents are unidentified.   When he was 18 years old, Bartley immigrated to the United States, landing in New York but soon settling in Kentucky.   Early on he was engaged as a dealer in cotton and other commodities.  One reference suggests liquor was among them.  From a whiskey-making region of Scotland, Bartley may have had some experience in that trade.


The Scotsman also was also engaged in family life.  Several years after his arrival in Kentucky he met a local woman three years his elder.  She was Hannah M. Downing, born in Cork, Ireland.  They married circa 1838 and immediately began having children.  Shown here is a Bartley family photo, taken about 1845.  From left the children are Nora, William, Jr., and John.  A fourth child, Hannah, would be born in 1847.  Bartley’s intense gaze is intriguing.


Perhaps he was thinking about another love.  In September 1855, Bartley is recorded marrying Emily Mathusa Milford in Louisville.   Unlike immigrant Hannah, Emily was from an elite Southern family, said to be connected by birth or marriage with many old Southern families of Mississippi and Louisiana.  Her father, Col. Henry Johnson, was a wealthy plantation owner who divided his time between Louisville and his Mississippi properties.


Although both bride and groom had previous marriages and their earlier spouses were still living, no mention is made in the record of divorces, although they can be assumed.  William now 50, and Emily, 40, would go on to have four children of their own, Emily, Margaret, William T. and David.  Bartley’s daughter Nora later married Henry Milford, Emily’s son by her earlier marriage.  As a result, Nora’s step-mother also became her mother-in-law.  Things could get complicated in 19th Century Kentucky.


Fast forward to 1895.  Thirteen years after its founding, “Louisville of Today” featured the Belle of Nelson distillery in an article. The publication painted a picture of almost immediate success:  “…No sooner were the goods of the company put on the market than they met with great favor,  Time has only served to strengthen this popularity and today their various brands find ready sales in all parts of the United States.”


The article went on to claim:  “The distillery is splendidly constructed and is, in equipment, a perfect model of up-to-date convenience and completeness. Machines and appliances of the most approved devices are provided throughout and the distilling capacity is seven hundreds bushels a day.”   Warehouse storage capacity was set at 20,000 barrels and employment said to be thirty distillery workers and eight traveling salesmen.  


The Belle of Nelson brand was widely advertised, extolled for being “…distilled in the hills of Nelson County from the finest of Golden Rye-malt and Maize and Mountain Spring Water.”  At $15.00 for a two gallon case it was relatively expensive whiskey.  Orders, ads claimed, could be filled from distillery “depots” in ten American cities located from coast to coast.  Belle of Nelson provided wholesale customers like bars and saloons with fancy “label under glass” back of the bar bottles and retail customers with trade cards.  Shown below is a card that recently went up for auction at $250.



Diagnosed with a diseased heart, William Bartley died on July 16, 1885, at the age of 72.  He was buried in Louisville’s Cave Hill Cemetery where many of Kentucky’s whiskey “barons” are interred.  Emily at 73  joined him there 11 years later.  Their adjoining gravestones are shown below.



After Bartley’s death, his distillery holdings apparently came under the control of Emily who appointed two sons from her first marriage to run the Belle of Nelson Distillery.  The president was Robert J. Tilford and the general manager C. M. Tilford.  David, her son by Brantley, was appointed secretary-treasurer. By the late 1890s, the Tilfords were gone and David seems to have been guiding the operation.  He declared bankruptcy in 1899 and the distillery was sold to the Whiskey Trust in 1900.



The Trust in turn assigned the facility to allied distillers Stoll & Company. [See post April 23, 2017].  The Stolls took over the New Hope distillery and brand name, continuing to produce Belle of Nelson Whiskey.  In keeping with the precedent set by William Brantley for advertising with colorful saloon posters, the Stolls issued the two signs shown below.  National Prohibition brought an end to the brand, even as Brantley’s racy harem image has been perpetuated down though the years.



Note:  This post was constructed from multiple sources. The most important of them were the 1895 publication, “Louisville of Today,” issued by the Consolidated Illustrating Company of Louisville and “The Evolution of the Bourbon Whiskey Industry in Kentucky” by Sam K. Cecil.


Sam Colville’s Saloon Failed But His Show Went On

 

Immigrating from Ireland as a boy, Samuel Colville arrived in California in 1849 and in 1851 opened a Sacramento saloon he called “The Oriental.”  His attractions to this drinking establishment included stage performances by women wearing “bloomers,’ considered scandalous by many.  Within a  year, apparently having failed to make a profit, he sold out.  As a showman, however, Colville persisted and in time came to be known as the “Napoleon” of the New York theater scene.


Born on Christmas Day 1824, in Castle Cary, Donegal, Colville arrived on these shores at age 15.  His initial occupation is said to have been working in dry goods store in New York, gradually working his way west.  Drawn to California during the Gold Fever of 1849,  he soon may have decided that rather than hacking at the earth it was easier to “mine the miners” for their gold.  According to  promotional materials the Oriental was “fitted up with the most splendid and costly manner altogether with a view to the comfort of its patrons.”  The saloon featured a cigar stand, a billiard table, four bowling alleys and, most important, a stage where entertainment was provided.


The Oriental under Colville became known for featuring women parading about in  a radically new mode of female dress that fitted just above the waist and pantaloons that hung three or four inches below the knee, as shown here.  Called “bloomers” they were controversial.   For the lonely miners of Sacramento the chance to view female legs, even if covered in cloth, must have been enticing.  Despite this unique attraction, the Oriental did not do well and was sold about a year later.  The experience left Colville an important lesson:  In stage productions “sex sells.”


The next few years found Colville moving from place to place, honing his skills as an impresario in San Francisco and then in Melbourne, Australia, before taking over the National Theater in Cincinnati, left, bringing to that city America’s most noted actors and actresses.  Recognizing that New York was the center of the nation’s theatre scene, about 1868 Colville moved to The Big Apple.  With partner George Wood they operated “Wood’s Museum” (later, Daly’s Theatre). They scored a great commercial success by featuring Lydia Thompson, shown below, and her British Blondes, an English burlesque act that had New York theatre folk abuzz.



Thompson’s show was filled with double-entendre songs and, although no bloomers were in sight, featured artfully posed beautiful women clad in gauzy material.   One critic observed that from the standpoint of talent the ladies “really had nothing to offer but their persons.”  Nonetheless the show under Coville’s sponsorship toured the U.S. for six years and took in more than $1 million at the box office—equivalent to $24 million today.  


Taking advantage of his growing wealth, Colville launched multiple theatrical companies.  His Coville’s Folly Company traveled the nation presenting early musical comedies.  The Colville Opera Company brought Americans early operettas.  He also ran the Colville Burlesque Opera Company that offered travesties of popular operettas and plays.  “Many of the productions staged for these companies were instrumental in the evolution of musical theater and provided experience and opportunity.”


The impresario was noted for introducing to the Broadway stage and on tour actresses and actors who would become celebrities of the times.  Among them was  Alice Oates, left below, an American performer in light operas and burlesques, who made her New York debut in 1870 under Colville’s auspices.  Another was British actress Julia Mathews, right, known for playing female leads in comic operas.  While on tour, she unfortunately died of malaria in St. Louis at the age of 33.



In addition to staging these productions, Colville was writing for the theatre.  Among his plays was one called “Taken from Life,” that had its debut at Wallace’s’s Theatre in New York.  Advertised widely, the cast included “Comet,” billed as “the great racehorse.”  Coville’s ads called his Burlesque Opera Company:  The most complete organization on earth for the representation of light entertainment combining musical culture of the highest order of merit with mirth of the most hilarious character governed by refinement.”


Amid his multiple theatrical enterprises, Colville was having a personal life.  Unfortunately, despite diligent searching, I have been unable to find any photo or illustration of him.  A passport application when he was 42 provides these details:  Colville was five feet, nine and one half inches tall, had black curly hair, hazel eyes and a “short & full” face.  He apparently was married three times.   His first wife was Mary Provost with whom he had a daughter Violetta, born in 1844.  His second was Elizabeth Ure Ferguson.  That union produced a son, David.  The record appears to be silent on the fate of these women.


This brings us to Emeline Rosenquest.  Born in New York City in 1843 and married at 22 to Isaac B. Reed, Emaline, known by her stage name as “Eme Rosenau” became the star of Colville theatricals.  Although the critics were not always kind, a musical and drama critic of the St. Louis Republican named Garrett opined:  “M’lle Eme Roseau…as a singer is a genuine surprise to every audience. Nobody expects to hear such pure, artistic vocalism and refined manners in burlesque.  Roseau comes upon the scene like a new and sweet spirit from the tone world, her voice strikes a sympathetic cord at once, and her refined presence gives the key-note to the whole performance.”



An occupational association eventually bloomed into romance.  Sam and Emeline were married in July 1883 in a quiet ceremony conducted by a Presbyterian minister in Philadelphia, far away from the lights of Broadway.  Sam was 60; Emeline was 40.  Further evidence of the couples’ desire for privacy, only one of the few attendees was a show business figure.  


That same year Colville, with a partner, purchased the theater shown here. Located at 107 West 14th Street, this venue had opened in 1866 as the Theatre Francais, dedicated to staging French language dramas and operas.  By the mid-1880s, it had become simply the 14th Street Theatre.  Under Colville’s direction it became the primary site for his productions.  At his death the building passed to Emeline who with her brother turned it into a profitable motion picture house.  The building was demolished in 1938.


As he aged, Colville was troubled with heart problems.  Those worsened in early September of 1886.  For several days he had complained of feeling ill, had seen a doctor and received treatment.  His business agent dropped by the Colville home in New York as he was convalescing and the two took a carriage ride in Central Park, apparently believing the fresh air would do Sam good.  They had barely returned when the impresario slumped dead in a parlor chair.  Colville was 63 years old.


The funeral was held at Manhattan’s “Little Church Around the Corner” where the Colville had been a friend of the pastor.  The services were well attended, with many mourners from the entertainment industry.  He was buried in Brooklyn’s Cemetery of the Evergreens.  Emaline would join him there 28 years later.  Their joint headstones are shown here.


The reading of Colville’s will indicated that the immigrant Irish boy had become a wealthy man during his lifetime.  It also sprung several surprises.  In addition to the 14th Street theater property, Sam left a flat $30,000 in cash to Emeline.  The bulk of the estate, including real estate and personal property was left to David Colville, his son from Elizabeth Ferguson.  Violetta, his eldest child from Mary Provost, received no mention.  At the official reading Emeline and David both waived all rights to contest the will. 


Addendum:  In addition to Colville’s work in theatre, he is remembered in Sacramento for having published an early city directory, dated 1853-1854.  Reprinted with a facsimile of the original cover in 1997 by the California State Library Foundation, the volume contained a history of Sacramento, a map, and a

list of residents, including address, occupation, and place of origin.  Strangely, Colville’s name is not among those listed.  An ad, shown below, appears there for the Oriental Saloon under its new ownership.



Notes:  I was brought to the story of Sam Colville by a brief mention of him in a book prepared by the staff of Special Collections at the Sacramento Public Library called “Sacramento’s Gold Rush Saloons:  El Dorado in a Shot Glass,” The History Press, Charleston, 2014.  From there the Internet provided more than ample resources describing Colville’s rise from saloonkeeper to famed 19th Century American theatre mogul.


























Notable Whiskey Men of Italian Ancestry II

Foreword:  This is the second post bringing together three whiskey men of Italian heritage who distinguished themselves as civic and business leaders in America.   An earlier post on Italians featured three individuals each of whom was an immigrant to these shores.  In this second group two are immigrants.  The third whiskey man, whose story opens this article, was native-born of Italian ancestry who found success in an unusual location.

Vic Trolio would have been about 20 years old when he launched his career as a businessman in Canton, Mississippi.   He was born in 1870 in Tennessee, the son of Pietro and Mary Trolio,  both of them Italian immigrants.  As a child Vic’s large Italian family had moved to Mississippi where Trolio’s first occupation was as a grocer, a career choice for many Italians.   A 1904 memoir cites him as the owner of the Canton Grocery Company.   By that year the Trolios also operated a three-story hotel with fancy balustrades on the main square in Canton.   A key feature of that establishment was the saloon on the ground floor.  Trolio is shown here in a languid pose behind the ornate bar of this watering hole.   A flyer for his barroom, emphasized “anxious to please.”


Trolio advertised the “best of whiskey,” on that flyer, with special emphasis on “Old Ky Taylor.” That was a brand from Wright & Taylor of Louisville.  His saloon also featured signs for “Ashton Whiskey”  from Simon Bros. of Louisville and “Murray Hill” from Jos. Magnus of Cincinnati.   But most of all Vic sold “Trolio Bourbon.”  At 75 cents a quart and  $3.00 a gallon, Vic peddled it  both in his saloon and from his grocery store. He packaged it in a series of ceramic jugs,  one selection of which is shown here.


In 1907,  Mississippi became the first Southern state to ban alcohol completely, anticipating National Prohibition by 13 years.  Trolio was forced to shut down his saloon and end liquor sales from his grocery store.  Another setback occurred when a fire during the winter of 1913 burned the third floor of the Trolio Hotel. It is shown below, third building from left, as it originally looked.  The structure was so badly damaged that Trolio elected not to replace the floor.   Today as a two-story hotel it stands restored and is on the National Registry of Historical Buildings.



During the early 1900s, Trolio turned as one of his business interests to pecan farming.  In a letter to an agricultural publication in 1922, he described the poor pecan crop of the previous year and indicated plans to put out more trees during the current growing season.  In 1938, Trolio died at the age of 68.  In tribute to a man who had been a pioneering entrepreneur and community leader for almost a half century, the citizens of Canton named a street in his honor.


 When he died in 1938, Los Angeles newspapers addressed Giovanni Piuma as “Cavaliere,” (Knight), befitting a man who had gone from impoverished immigrant youth to Italian royal consular agent for Southern California, confidant of Italian King Victor Emmanuel, and Italian knighthood.  Piuma’s rise had been fostered by his businesses, selling wine and whiskey.


Piuma experienced considerable success as a grocer and vintner. His liquor, wine and grocery store expanded considerably in the days before National Prohibition.  Shown below is an interior photo showing barrels and bottles of wine and liquor.  Piuma in a dark suit stands among his sizable staff.  He was featuring his own brands of whiskey, including the labels shown.



As he grew in wealth, Piuma also was establishing a reputation for leadership in his Italian community and in Los Angeles as a whole.  He  gained considerable prestige when he was appointed by the Italian government as consul for Los Angeles. In this role he was charged with looking after Italian residents of the city including arranging burials in the homeland and assisting Italian tourists, especially those in trouble.  On two trips  back to Italy the vintner/liquor dealer was ushered into the presence of King Victor Emmanuel, who eventually would bestow on Piuma the title “Cavaliere.”



Piuma’s interests ranged well beyond just his Italian compatriots.  He was a founding member of the Los Angeles Liberal Alliance, founded in 1905 for the stated purpose of bringing together all the city’s nationalities in an organization dedicated to instilling fealty to the American flag.  As one writer has put it:  “It sought to promote citizenship through the preamble to the Constitution, specifically the famed words about the “inalienable rights” of “life, liberty, and the pursuit of happiness.” 


Although Piuma is said to be a little known figure today in Los Angeles, his leadership during a period of intense immigration from all over Europe, including Italy, was important in the city for forging a sense of American identity.


Arriving in the United States in 1892 with $1.25 in his pocket and little English,Eduardo Cerruti, despite frequent setbacks, continued throughout his life to plunge into new challenges that made him a living legend in San Francisco. With liquor sales as his mainstay, Cerruti, shown here, founded cigar companies, ran a popular nightclub, and as a final plunge, built a large indoor salt-fed swimming pool that that operated until the 1950s. 


After a series of unsatisfactory jobs, including bartender, and wanting to own his own business, Cerruti opened a general merchandise store in 1903 he called Cerruti Mercantile Company.  Counting up his previous jobs at twelve, the entrepreneur told the San Francisco Chronicle that this move was his lucky thirteenth.  His  company sold a range of merchandise, including liquor, wine and olive oil.  A photo of the store shows barrels and cases ready for delivery.



To assist in this enterprise Eduardo recruited his siblings.  August, his closest brother in age, apparently had come to America earlier and was working for him.  As Cerruti Mercantile grew “large and successful,” Eduardo put out a call for  other brothers to join him.  Peter, Victor, and Mario answered and emigrated.

 

The Cerrutis were operating as “rectifiers,” that is, blending whiskeys obtained from distillers to achieve a desired color, taste and smoothness.  The liquor would have been aged in barrels on the premises, shown above, then decanted into bottles, labelled and sold to saloons, restaurants and hotels.  Shown here is an amber whiskey quart with the Cerruti monogram embossed in the glass.  The company flagship brand was “Old Promotion,” a label Cerruti never bothered to trademark.  He also opened a cafe and bar called Club Lido.


With the imposition of National Prohibition in 1920, Cerruti was denied the revenue from wine and liquor sales that had fueled his enterprises.  He opened a saltwater natatorium he called “The Crystal Palace Baths,” later renamed the “Crystal Plunge.”  Opened in 1924 located at 775 Lombard Street, the pool held 300,000 gallons of salt water that was pumped in from an ocean pier near San Francisco’s Fisherman’s Wharf.   The complex included a dance floor and served snacks and non-alcoholic beverages. 


Cerruti died in 1951 at the age of 76.  A fitting closing thought on this immigrant San Francisco entrepreneur was provided by the Chronicle:  “Edward Cerruti is the living embodiment of what a foreign boy can make of himself in this country, even if, as he did, at the start the capital is only a dollar and a half.”


Note:  More complete biographies of each of these whiskey men may be found elsewhere on this Internet site:  Vic Trolio, June 1, 2012;  Giovanni Piuma, January 24, 2021, and Eduardo Cerruti, August 17, 2020.

 

Andrew Jackson: Tennessee Distiller

 

                   


While a number of American presidents have been known to drink whiskey, only two are documented to have made it.  The first was George Washington whose distilling career has been widely described and his distillery reconstructed near Mount Vernon.  The second was Andrew Jackson.   By contrast with Washington, very little is found in the historical record about Jackson’s distilling activities.  This has not deterred others in the liquor trade, however, from linking the Seventh President to their brands.


The year was 1796 when Jackson, age 29, bought a farm two miles from the Cumberland River outside Nashville called “Hunting Hill” and made a home there for himself and his wife, Rachel.   His celebrity as the military hero of the Battle of New Orleans was almost two decades in the future.  The past few years had been tumultuous ones.  His marriage (and re-marriage) to Rachel, shown here, had engendered slurs on her character when it was discovered that her divorce from her first husband had not been concluded before their first wedding.  Jackson would fight multiple duels over her honor, one in which he killed a man.  From 1795 to 1798, he also had served without particular distinction as Tennessee’s first congressman and later as a senator.



My guess is that Jackson’s purchase of Hunter’s Hill was an attempt at a quieter rural life where he and Rachel could be country gentry, largely insulated from public scrutiny.  The move also opened the opportunity for Jackson to become a distiller.  Although it is not clear if Jackson acquired the distillery with his purchase or built it himself, by 1799 he was operating two stills said to be capable of producing 197 gallons annually.  One reputedly had capacity of 127 gallons; the other was a 70 gallon pot still.


Shown here is the entry for Jackson’s whiskey-making operation in the official ledger of John Overton, the collector in Tennessee of the whiskey tax.  This first Federal excise tax was the revenue-generating plan of Washington’s Secretary of the Treasury, Alexander Hamilton,  to repay the bonded debt owed from the Revolutionary War and to establish the fiscal standing of the national government. Because it was done on the backs of farmers, many of whom distilled their corn into value-added whiskey, the excise was widely unpopular in rural areas,  sparking the Whiskey Rebellion in western Pennsylvania (1891-1894).


Overton’s ledgers listed distillers in Tennessee by county,  The record details those who manufactured spirits, the number of pots or stills, the annual production of distilled spirits in gallons, and the amount of tax owed.  Jackson in Davidson County was recorded as paying his tax.


In June 1799, however, a devastating fire at Hunting Hill burned down Jackson’s stills, barrels and destroyed more than 300 gallons of aging whiskey.  The future President was required to pay the whiskey tax even though the whiskey was gone.  Authorities in Washington were all too aware that some distillers seeking to avoid the levy were hiding their whiskey, burning down their often ramshackle buildings, and then making claims for refunds.  No evidence exists that Jackson was among them.  In fact, he moved quickly to rebuild his plant.


Jackson subsequently made use of the one appeals process the U.S. government provided.  Petitions and claims on the controversial tax could be submitted to the U.S. House of Representatives.  There they were sent to a joint Committee on Claims, established in 1894, there to be adjudicated.   On February 12, 1803, Congress received the petition for a tax refund from Andrew Jackson.  Shown right, he expressed concern, possibly based on his own experience in the House, that he was totally reliant on that body to satisfy his claim.  Jackson said he had no doubt that: “A power to grant relief, in such Cases, was lodg’d in the hands of the Secretary of the Treasury, or in some other department of the Government;  he could not believe that the United States would draw Money from the misfortunes of her Citizens. 


The Committee on Claims reviewed Jackson’s claim and voted to reject it.  This may have been an indicator of Jackson’s lack of popularity among his former colleagues in Congress.  One historian has speculated:  “I like to think that Jackson was so furious about not receiving his money back that he decided to go into politics.”  


While living at Hunting Hill, Jackson had purchased 640 acres of adjacent land.  With his growing wealth from farming and land speculation, he sold this original homestead and built a new house there.  He called it “The Hermitage,” the mansion home, shown here that has come to be identified with him.



 The Hermitage was surrounded by a host of outbuildings.  They included kitchens, spring houses, an icehouse, carriage garage, dwellings for the overseer and the slaves,  blacksmith and carpenter’s shops, a cotton gin and press, stables, smokehouses, a sawmill and barns.  Most important for purposes here, The Hermitage outbuildings included a whiskey distillery.   Unfortunately, little has been written about this facility or Jackson’s involvement with it.  He soon would be brought away from his Tennessee properties by his immersion in the military activities of the young Nation and ultimately by the American presidency.


That absence did not discourage future distillers, however, claiming Jackson as one of their own. Sometimes the claim was pure nonsense.  Shown here are two ads for “Old Crow.”  In both Jackson is depicted serving up that brand to two other American political figures who would eventually become President on the Democratic ticket, James K. Polk and Martin Van Buren.  The ads are correct that both men were friends and allies of Jackson.  Both ads claim, however, that  according to an unnamed 19th century newspaper report, “Jackson favored Old Crow and praised it most highly.”   Baloney.  As a brand name, Old Crow emerged about 1855.  Jackson died in 1845.


More legitimacy attaches to one of several American whiskeys that use Jackson’s nickname of “Old Hickory.”  It was given to him by his troops for his tough-minded willingness to endure whatever his men were experiencing.  The nickname was first associated with whiskey when Fayette County, Kentucky, distiller John Robb produced “Old Hickory Sour-Mash Kentucky Copper” whiskey.  In 1868 the name gravitated to the E.R. Betterton Company of Chattanooga, Tennessee. [See my post on Betterton, August 10, 2013].   It later was used by other pre-Prohibition liquor houses to memorialize a national hero who was himself a distiller.

The tradition reaches down to today.  In 2011 the R.S. Lipman Company, located in Nashville, Tennessee, revived the brand name.  Shown here are bottles of “Old Hickory, Great American” blended and straight bourbons.  They feature labels bearing Jackson’s picture.   Primarily a wine importing company, Lipman markets these whiskey but they apparently were distilled in Lawrenceberg, Indiana.

Note:  This post contains information and images drawn from a wide variety of Internet and other sources.  



























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The Westermans Were Pekin’s Odd Couple

 Despite widely divergent reputations, seldom does a married couple dominate their city’s attention the way that Henry and Mary Westerman did in Pekin, Illinois, during the mid-1880s.  A favorite whipping boy of Pekin newspapers, Henry was a gun-toting distiller whose cheating on his revenue taxes brought him a federal arrest.  In contrast, Mary was a beloved, indefatigable worker for the welfare of Civil War veterans and Pekin civic betterment. 

Shown above, Westerman was born in August 1836 in St. Louis, the son of Conrad and Margaretha Lang Westerman.   When Henry was ten years old the family moved to Pekin.  There he attended public schools and went on to get a degree from Bell’s Commercial College in Chicago.  He returned to Pekin, shown below, to work as a clerk in a local dry good store.  In October 1856, he married Mary Leslie Gregg.  Henry was 20; Mary was 18.  They had four children only two of whom lived to maturity.


Westerman’s leadership qualities were evident early in his career. In 1861 at the age of 25 the voters of Pekin’s Fourth Ward elected him their alderman.  Apparently finding politics distasteful, however, he resigned the same year.  The post had brought Westerman in contact with Pekin’s mayor who owned a distillery he was seeking to sell.  Exiting dry goods, Westerman bought the plant in pursuit of wet goods.


Westerman clearly had an aptitude for the liquor trade.  Called his distillery the “Pekin Alcohol Manufacturers Company, his whiskey was sold under the brand name “Crown.” The illustration below shows the extent of the facility.  Not only was it served by railroad, its location along the Illinois River allowed it as well to be connected to water transport, symbolized by a steamboat heading for the loading dock.


 

A second illustration depicts the large herd of cattle Westerman was grazing on a tract downwind of the distillery, seen in the background, and feeding on the spent mash from manufacturing process held in tanks.  Note that a railroad line runs along the edge of the property, suggesting that the railroad at the distillery was a spur.  All engraved illustrations here are from an 1873 publication entitled “Atlas Map of Tazewell County.”



A sure sign of the Westermans’ growing wealth and status in the Pekin community was the family’s impressive home, a large frame Victorian mansion the couple called “Rose Villa.”  The mansion was located on Washington Street at the head of Buena Vista Avenue, a street address now designated 420 Washington St.  Shown here, the property encompassed a sweeping driveway, numerous  walkways, and several outbuildings hidden behind impressive stands of large pines.  St.  Replaced by a subsequent owner in 1912 with a brick structure the property was added to the National Register of Historic Places in 1992.


Mary Westerman was making her own mark in Pekin.  Although only 23 when the Civil War Broke out, she immediately took a leadership role in the Soldiers Aid Society.  Despite her youth she served as president of the local chapter for two years and another two years as its secretary.  In his 1879 “History of Tazewell County, Illinois,” Charles C. Chapman, while giving her husband only a paragraph, devoted two pages of tribute to Mary.


Chapman wrote of her:  “Her natural abilities are superior and are carefully cultured by study and extensive travel. She is a woman of great energy and a firmness of purpose that has assured success in all undertakings….At the breaking out of the Civil war, although young in years, Mrs. W. proved a woman of great foresight and executive ability, being a leader of what may well be denominated the “home guards,” that noble army of women of whom history is silent, but from whose courage and generous aid the soldiers drew much of the inspiration which brought success to their arms.”


Mary’s Letter

One notable success was Mary’s ability to importune The White House for autographed photographs of Lincoln to be auctioned off to raise money for the Soldiers Aid Society.  When her letter apparently went unanswered, she wrote the President a second time:  “I cannot give up the idea of our President giving us something. If you remember I stopped you at the White House steps on one Cabinet day and you asked me what I wanted you to do. I told you and you said that you were worn out and could not go up again for anything but said you would remember my petition.” 


“Now this time if you cannot conveniently give us anything else we insist on you send a large picture of yourself which we can make a great deal on it. It is the earnest wishes of our Soldiers Aid Society that you would do something as it would inspire others to donate.”  Mary went on to insist she was not an impostor and her identity could be be verified.  Lincoln’s secretary sent her six small signed photos, two of which are shown right.


Mary’s fair raised $3,163 for the Union cause.  The Soldier’s Aid Society, however, was roiled about how to spend the money.  A majority of the board wanted to buy religious tracts and Bibles to distribute to soldiers.  Insisting that the funds go for clothing, medicine and sick room supplies, Mary hired a lawyer who filed an injunction.  Mary was pilloried in several local papers as a Southern sympathizer but prevailed.  Author Chapman commented:  “Knowing the righteousness of her cause, she persevered with the true courage which rises superior to taunts and scoffs, and in the end was her complete vindication.”  Later Mary would be hailed for her contributions to the Pekin Public Library for her prominent role in founding the Ladies Library Assn., its forerunner.


While the Westermans were enjoying their prosperity and social status in Pekin, a major scandal was brewing.  During the Civil War the federal government had put a tax of $2 a gallon on every gallon of whiskey produced.  In an attempt to avoid the levies, a conspiracy that became known as “The Whiskey Ring” was formed involving distillers, “rectifiers (blenders), and corrupt government officials.  As much as 2/3rds of liquor taxes were being avoided.  Beginning in St. Louis, the revenue conspiracy spread to cities across the Midwest.  Among them was Pekin.


As the local press reported, Pekin’s large city cisterns, meant to hold water for fighting fires, surreptitiously were drained and filled with highly flammable whiskey.  Liquor also was said to have been stashed away in corn stalks and in hundreds of wooden kegs sealed and sunk in the Illinois River.  In one reported incident an honest revenue agent was arrested by Pekin authorities and held in custody on a trumped up charge while a boatload of illicit whiskey was cleared off the dock and hidden away.  Identified as the “kingpin” of this criminal enterprise was Henry Westerman.  


In December 1875, a Federal District Court issued a warrant for Westerman’s arrest.  He was charged with frauds perpetrated at his Pekin distillery, specifically for refusing to produce the books of the Pekin Alcohol Manufacturing Company during the period of the conspiracy.  The penalty was from $500 to $5,000 and six months to ten years in prison.  More than 300 individuals were arrested as participants in the Whiskey Ring but only 110 ultimately were convicted in federal court.  They tended to be the “lesser fry” in the scheme and many of those at the center of the Whiskey Ring paid fines but were not sent to jail.  Westerman appears to have been among them.  


Elements of Pekikn’s press were not shy in pointing out that the accused former head of the Pekin whiskey ring was still at large.  This enraged Westerman.  Among his antagonists was William H. Bates, the editor of the Tazewell Republican.  Westerman, a Democrat, made headlines in November 1881 when he threatened Bates at his paper while brandishing what was described by the Peoria Journal as “an immense Missouri bushwacker’s rifle.”  The threat was unambiguous to Bates and other critics.  The same paper reported that the editor of the Freie Presse,  “with blood in his eye and his ears flopping,” was marching around Pekin with a shotgun over his shoulder, apparently hoping to encounter Westerman. “All the editors here appear to be on the warpath,” the Journal opined. “Peace, peace, brethren.”  Eventually tempers cooled all around.


Despite Henry’s dubious reputation, the Westermans were considered among the  influentials in Pekin.  Perhaps some of Mary’s community work helped leaven her husband’s “bad boy” image.  In 1897 she died in Pekin at the age of 59 and was buried in Pekin’s Lakeside Cemetery.  Mary’s gravestone is shown here.  



Mary may have been the anchor that kept Henry in Pekin despite the negative press. They had been married for 41 years.  After her death Westerman promptly moved to California where he resided for the next 25 years, living with a daughter in San Francisco.  He died there in May 1922 at the age of 86.  His body was returned to Pekin where funeral services and interment occurred.  Although buried at Lakeside Cemetery, Westerman’s grave was left unmarked, perhaps to deter any revenge desecration.


Note:  This post would not have been possible without the diligent work of Jared Olar, an assistant at the Local History Room of the Pekin Public Library.  In several articles that deal with Mary and Henry Westerman, Mr. Olar draws on a rich body of resources to tell their story. 


  


J. J. Murphy and Texas Tales from the Ruby Saloon


Joseph John (“Joe”) Murphy, who spent more than a quarter century as its proprietor, boasted that his Ruby Saloon in Palestine, northeast Texas, was: “One of the oldest and best conducted Liquor Establishments” in the Lone Star State.  Even so, Murphy would have to admit that as the site of dismantling Santa Anna’s knee buckle and a deadly shootout triggered by Palestine’s telephone service, sometimes the West could still be wild at the Ruby Saloon.

Palestine, Texas 1880s

Murphy was born in New Orleans in 1863, in the midst of the Civil War when Union troops ran the city.  His father, John C., an immigrant from Ireland, died when the boy was only four. He and a sister, Mary Ellen, were raised by a single mother, Ellen Mary McGrath.   At some point the family  moved to Paris, Texas.  In the late 1880s Murphy relocated 140 miles south to Palestine, a relatively small Texas city and the seat of Anderson County.  There he founded the “The Ruby” saloon about 1888.


Shown above is Spring Street, the principal avenue of Palestine.  Murphy’s establishment was near the center of the town’s business district and adjacent to Palestine’s major hostelry, the Lindell Hotel.  This made for lively trade not just from locals but also visitors to town.   Murphy believed in the power of advertising and his trade cards left no doubt that “The Dear Old Dollar” was welcome at The Ruby to buy “whiskies, wines and alcohol.”  He saluted the coin in verse: 


How dear to our hearts is the old silver dollar.

When some kind customer presents it to view—

The liberty head without necktie or collar.

And all the strange things that to us seem so new;

The wide-spreading eagle, the arrows below it,

The stars and the word with queer things to tell.

The coin of our fathers! We’re glad we know it,

For some time or other ’twill come in right well—

The spreading dollar, the old silver dollar,

The big welcome dollar we love so well.


Although extolling the dollar, Murphy offered his customers bar tokens toward future drinks coins worth 12 and 1/2 cents.  As shown below, the Ruby Saloon tokens came in several formats.  He also provided advertising shot glasses to his clientele.



As a result of his success as a saloonkeeper, Murphy could advertise in 1914 that he had been in business for more than 25 years.  By that time the Irishman had amassed a wealth of experiences from the history of “The Ruby.” Here are two of them:


Santa Anna’s Knee Buckle


Murphy would be able to recount the day that Texan William Broyles brought to The Ruby Saloon the oval knee buckle of Santa Anna, the former president and military leader of Mexico during the Mexican War with the United States.  Santa Anna, shown here, was fond of the ornamentation that went along with the uniform of a high ranking Mexican officer.  After the Battle of San Jacinto in 1836, the Santa Anna escaped but was captured the next day.  During the next three weeks the general was held prisoner by the Americans until he signed the peace treaty that led to Texas independence.


During his captivity, it appears that Santa Anna’s uniform was stripped from him, including his oval jeweled knee buckles.  Shown here, this was an ornament composed of a metal base and originally set with 22 square jewels, described only as “brilliants.”  These might have been diamonds but more likely other clear stones that were cut to emphasize their light-flashing facets.  Set at intervals along the bottom edge of the oval pin were four additional rounded gems.  



Look closely at the ornament, shown here, and note that four of the jewels are missing.  That is where Murphy’s saloon gets involved.  The story goes that this trophy from a defeated enemy was given to the victorious General Sam Houston.  It subsequently was held by the Houston family until Sam’s daughter, Elizabeth Houston Morrow, for reasons unknown gave it to William Broyles.   A patron of Murphy’s saloon, Broyles showed up there one night, possibly a bit of “the drop taken,”  pried out four of the “brilliants” and gave them to friends along the bar.  Today the knee buckle, still lacking the four jewels, resides under glass at the Museum of History in San Jacinto.


A Shootout over Telephone Service


Perhaps the most bizarre of all the shootouts—and killings—in Texas history originated at the Ruby Saloon.  Incredibly, the gunplay erupted over a complaint about Palestine’s telephone service. 


R. J. Hiatt was a traveling salesman for the Dallas-based Jesse French Piano Company. His territory included Palestine and Hiatt spent much of his time in that city.  Encountering a co-owner of the local telephone company,  A. P. Henderson, outside the Ruby Saloon, Hiatt accosted him, shouting that Palestine’s telephone service was rotten.  He could not converse over the phone, the salesman said, without being cut off.


Henderson was well aware of the problem. He pointed out to Hiatt that he was being disconnected because of the profanity he frequently used on the telephone.  His language was deemed not fit for young female operators to hear.  Women at the central office objected to Hiatt’s foul mouth, Henderson said, and were “plugging him out.”  The salesman objected to the allegation and called Henderson “a damn liar.”  Henderson swung on Hiatt, breaking his nose which bled profusely.   Bystanders intervened, ending the fight—for the moment.  


As reported in the Palestine Daily Herald on September 16, 1905, Hiatt “had a doctor to dress the nose, and those who observed him afterward, said he brooded over the matter all the afternoon, not saying much or making threats, but his attitude was such that friends, it is reported, warned Henderson to look out, that they thought Hiatt had armed himself. Henderson is reported to have replied in a light vein that he was not afraid; that he could take a pistol away from him, if he should attempt to use it.”


The telephone company co-owner was unwary and it cost him.  That evening about seven Henderson was in The Ruby with friends when Hiatt walked in the front door.  Shouting “that son of a bitch broke my nose,”  the piano salesman began firing.  One of three bullets found Henderson’s thigh and he slumped to the floor, badly wounded.  Others grappled with Hiatt and took the gun from him before he could fire again.


Hiatt then attempted to escape by running into the Lindell Hotel next door where he had a room on an upper floor.  He began to climb the stairs.   The newspaper reported:  He was soon followed by City Policeman Jeff Watts. A few seconds later a pistol shot rang out, and parties rushing upstairs found the officer and Hiatt together in the hall, and Hiatt was shot through the body. The man lingered in great agony for thirty or forty minutes, and died….From appearances… he was shot through the back, just to the right of the spinal column, and the ball passed entirely through the body, coming out just to the right of the navel.


Policeman Watts later said he was unaware that Hiatt no longer had a gun when he fired at the fleeing salesman.  Nevertheless, Watts, the brother of Palestine’s sheriff, immediately was arrested and incarcerated in the county jail, awaiting an investigation.  Meanwhile in a local hospital Henderson’s condition while serious was said by doctors not to be life-threatening.


As for the disposition of Policeman Watts, my guess is the statement he made following the killing proved sufficient to exonerate him:  “…He arrived on the scene just after the shooting of Henderson, and hearing that Hiatt had gone in the hotel, followed him, and being told that Henderson had been killed supposed the man was still armed, as he swore to kill an officer if he followed him. They ran onto the third floor, where the shooting took place. Watts says he shot…in self-protection, as Hiatt kept threatening to kill him if he came on. He did not know until afterwards that Hiatt had been disarmed.…  My assumption is that Watts’ testimony, combined with his ties to the sheriff, were sufficient to exonerate him.


The Rest of the Story


With the coming of statewide prohibition to Texas in 1919, Murphy was forced to close down his drinking establishment and while still only 51, census records indicate, turned to operating a drug and tobacco store.   Married at 30 in 1893 to Ella Orena Wheeler, a local Palestine woman, Murphy would sire three sons and a daughter.  After 1905 he housed his family in a spacious home at 1403 North Queen Street in Palestine, shown here.


Joe Murphy lived to be 80 years old, an advanced age for that time.  He must have mused frequently about his decades spent running “one of the oldest and best conducted liquor establishments in Texas.”  But even the Texas saloon owner would have to admit that at times events at the Ruby Saloon could get out of hand.  Murphy died in October 1943 and was buried in Saint Joseph’s Cemetery, Palestine,  He was joined in the grave by wife Ella five years later.  Their joint monument is shown here.



Note:  I was drawn to the story of J.J. Murphy and The Ruby Saloon by the trade card that opens this vignette.  It led me to the stories of Santa Anna’s buckle and the shootout over disconnected telephone calls.  For the latter incident the story as reported by the Palestine Daily Herald, referenced above, was a crucial source.




 

Whiskey Men as Pioneer Western Merchants

 

Foreword:  In reciting the line of occupations that pioneered the American West, the storekeeper often gets left out of the conversation despite the important role those entrepreneurs played in developing and civilizing life in remote places.  For many of these men selling whiskey was essential to the profitability and sustainability of their mercantile efforts.  Here are the stories of three such Western merchants.


Harry Gesus was among the Jewish pioneers who helped build the frontier American West by striving to meet the mercantile desires, including liquor, of growing populations in Wyoming, Idaho and Utah.  Henry’s efforts, however, were thwarted by greedy mine owners and exacted a high family cost in the premature death of three children.


During the 1890s, a decade of economic recession, Gesus and his wife with their five children moved west from New York City to Kemmerer, Wyoming, shown below, an upstart mining town created by finding rich coal deposits nearby.  With a brother Gesus opened a clothing and dry goods store there, soon expanding to two other boom towns in the region.  All were company-owned settlements where coal mine operators dictated many of the condition of life for residents.  Seeing the mercantile success of the Gesus family, owners pressured workers to use the company stores instead.  The Gesus stores closed.



Gesus moved on to Blackfoot, Idaho, a town that called itself “Potato Capital of the World.  There he abandoned selling long johns and embraced liquor. He opened a saloon and liquor business he called the Kentucky Liquor Store, selling both at wholesale to local saloons and restaurants and at retail. Although living conditions in Blackfoot were better than Kemmerer, sanitary conditions were similarly poor.  Outdoor privies were often crudely constructed and water supplies polluted.  Doctors were few and often badly trained.  Hospitals were non-existent.  After having one child succumb in Kemmerer, two more Gesus children died in Blackfoot.


Gesus did not linger long in Idaho.  Perhaps the memories were just too bitter.  The family moved to Price, Utah, a mining settlement 120 miles south of Salt Lake City.  In Price Harry Gesas opened another liquor store, advertising himself as “The Whiskey Merchant.”  Again he was selling at both wholesale and retail, buying whiskey by the barrel and decanting it into ceramic jugs for his customers. When Utah went “dry” in 1917, Gesus made a final move to Salt Lake City, where his three children lay buried.  There he sold tobacco.


Terming the Mormon leader Brigham Young a “whiskey man” might strike some as an absurdity, given the injunction against strong drink that has been a traditional teaching of the Church of the Latter Day Saints.  The facts seem otherwise.  For example, in 1873 at Young’s request the territorial legislature granted him the exclusive right to manufacture and distribute whiskey and other spiritous liquors in Utah.  “Valley Tan” was the name of his principal brand.


Another link from Brigham Young to Valley Tan was through the large mercantile store the leader established to provide necessities to Mormons in Salt Lake City.  He ostensibly acted on the belief that non-Mormon “Gentile” local merchants were gouging his people.  Young called the establishment “Zion’s Cooperative Mercantile Institution” (ZCMI).  The store, shown below, sold Valley Tan.   That could never have occurred without the leader’s blessing. 



ZCMI became a formidable business force, eventually manufacturing its own of boots, shoes, and a line of work clothes. It also sold everything from housing needs, lumber, nails, and the like, to household needs such as fabric, needles, thread, food preservation products, furniture, and draperies, even some beauty products.  In effect ZCMI nearly everything the pioneers needed to survive and thrive.  Some have called this the first real department store west of the Mississippi. It continued to be church associated until 1999.



The photo above of Sauer-McShane Mercantile in Central City, Colorado, shows a several men posing on the sidewalk in front of the building.  Among them likely were Otto Sauer and John McShane, two entrepreneurs who opened the first general store in a Colorado mining town that was virtually nothing but an assemblage of wooden shacks.  With whiskey as a major seller, the partners eventually made their enterprise a retail giant.  They recognized that an immense amount of money from gold, silver and other metals was being unearthed and available in that part of Colorado.  Area mines annually were producing the equivalent value today of $75,000,000, mostly in gold, and many mine owners were exceedingly rich.


Men of wealth often had wives or mistresses that they wanted dressed in the best finery.  Sauer-McShane obliged by featuring tea and floor length dresses, laced shoes with high heels, straw and fabric hats with elaborate decoration, and bows, gloves, and brooches.  While such fashionable garb might have been available in Denver, that city was over the mountains.  Sauer-McShane could provide haute couture close to home and the male partner’s cash box.


As a result, among the store’s clientele were two of the most talked-about women of the West.  Elizabeth “Baby Doe” Tabor, shown here, was the wife of Horace Tabor, a wealthy silver magnate and future U.S senator who had divorced his wife of 25 years to marry the beautiful Elizabeth although he was twice her age. The marriage set off a major scandal in Colorado.  Baby Doe, as she became known in media coverage nationwide, had plenty of money to spend with Sauer-McShane until Tabor lost all of his in the Panic of 1893.


The other woman was Alice Ivers, shown here.  When her husband was killed in a mining accident in Leadville, Colorado, she was in difficult financial straits and turned to playing cards for a living.  Shown here, Alice used her good looks to distract men at the poker table.  She was also very good at counting cards and winning big pots, that helped her become known throughout the West as “Poker Alice.” Ivers always wore the newest fashion dresses, many bought from Sauer-McShane.


By 1895, the Sauer-McShane store was doing the current equivalent of $5,000,000 in sales annually.  The need for more space resulted in their building a new warehouse. It still stands today, bearing their name, and is on the National Register of Historic Places.


Note:  More extensive material on each of these three vignettes is available elsewhere on this website:  Harry Gesus, April 23, 2021;  Brigham Young,  August 18, 2016; and Sauer-McShane, April 19, 2018.




Womack Bros. Placed Their Whiskey with Care

 

Analyzing current American whiskey sales, major national brands like “Old Crow” and “Jack Daniels” dominate the market, with only limited competition from  “craft” distilleries. The Womack brothers of Tennessee provide a contrasting example of the liquor trade before Prohibition.  By making a quality product, albeit on a modest scale, the Womacks were able to establish a strong regional customer base for their “White Maple” whiskey by carefully targeting their territory.



Shown above, John Harmon “J. H. ”, left,  & Townsend P. “Ty” Womack,  were born in Lincoln County, Lynchburg, Tennessee, the eldest two sons of B.F. and M.N. Womack, their Tennessee-born parents identified only by initials in the 1870 Federal census.  At that census John was eleven, Ty was four.  Their father’s occupation was listed as farmer.   Of the Womacks’ early activities little is on the record.  


One whiskey historian recounts:  “The Womack’s operated a grist mill in Lincoln County and were contemporaries of the Tolley, Motlow and Daniels families in Lynchburg.  It was from these prominent distilling families that they learned the distilling craft.”  By the late 1890s the brothers, now both in their 20’s, moved approximately 60 miles north from Lynchburg and opened a saloon in Franklin, a larger town and the seat of Williamson County, Tennessee. They called their drinking establishment the White Maple Saloon.


At some point the brothers decided that selling whiskey over the bar was not as beneficial as making the product themselves.  The historian:  “Williamson County, Tennessee has a long and storied history surrounding the production, consumption and sale of whiskey and bourbon. Centrally located in the state, the county encompasses the Harpeth River Valley, an area rich in agriculture. Crystal clear spring water filtered by limestone flows through the lush rolling hills. It is due in part to this unique water source that the singular flavor of Tennessee Whiskey became world famous. Distilling was woven into the fabric of the landscape and became a way of life from the time of the county’s earliest settlers.”


 At the time, there were an estimated nine distilleries in Williamson County, all them likely small farm plants turning out a few gallons a day when in operation.   This was not the model the brothers had in mind.  They constructed and operated a facility, one they called “J.H. Womack & Bro. White Maple Distillery,” capable of making 150 gallons of spirits daily.  It was located on the corner of Boyd Mill and Eleventh Avenue in Franklin.   Indicative of lively sales, both to saloons and directly to the consuming public, are examples below of the several variety of ceramic jugs that the Womacks employed to market their White Maple Whiskey.


 


The brothers also opened a saloon in Nashville, about 20 miles north of Franklin, to operate as a hub for regional sales. This was a smart marketing move. Nashville gave the Womacks’ rail and road access for soliciting and making sales to a large swath of Tennessee, extending into Northern Alabama.  Their first Nashville address was 217 Broad Street, as shown on one of the several jugs in which the brothers sold their whiskey.  Later Nashville jugs, shown throughout this post, carry the address of 203 Broad Street. John and Ty eventually were joined in business by a younger sibling, William Womack.



Even as they initiated their whiskey-making the Womack brothers must have been aware of the headway prohibitionary forces were making in Tennessee.  Initially those were “local option” bans on alcohol, one of which forced the brothers to close of the White Maple Saloon in 1903.  Their Nashville operation was not affected.   In 1909, however, two new prohibitionary laws were passed in Tennessee.  The first made it illegal to sell or consume alcoholic beverages within a four-mile radius of any public or private school (whether school was in session made no difference). While this bill did not explicitly ban the sale or consumption of alcohol across the state as a whole, the practical effect of the four-mile exclusion did just that. The second law banned the manufacturing of any alcoholic beverages within the state. Governor Malcolm R. Patterson vetoed both bills, but the General Assembly promptly overrode his vetoes.


After only nine years in operation and despite their success, the Womacks were forced to close their distillery at midnight on December 31, 1909.  They may have been among the many Tennessee distillers who ran their last batches until the stroke of midnight. A year later the Womacks sold the site to a local banker. The brothers earlier had anticipated the ban and already were scouting out a new location in Northern Alabama.  A 1904 directory entry indicated John Womack was resident in Gadsden.  In the end, the Womacks chose to relocate in New Decatur (now just Decatur) Alabama, shown below.


 


For the about next five years, until Alabama went “dry” in 1915, the Womacks were able to use their base in Decatur to serve their customers both in Tennessee and Alabama.  My assumption is that they shipped large quantities of their existing whiskey in barrels to the new location, decanted it into jugs like the ones shown here and sent the products by railway express back to customers into Tennessee, a practice protected under the Interstate Commerce Clause of the Constitution.


At some point common sense would suggest the Womacks eventually ran out of their own distillations, yet there is no indication they opened a new distillery in Decatur.  My conclusion is that they were buying whiskey from other distilleries around the South, blending and packaging it in their own ceramic jugs, including the decorative miniature shown here, and selling it under the White Maple name.  Indications are that John was running a sales operation in Nashville, taking the liquor orders, while Ty was fulfilling them from Decatur. 



When their days in the liquor business ended in 1915, the brothers went separate ways.  John, up to that time a confirmed bachelor, married at 51 and moved back to Franklin, where he died in 1929 at the age of 64 and was buried there.  Ty moved to Fort Worth, Texas, to become an automobile dealer.  At 81 he died and was buried in Texas..   Today our only reminder of this once regionally popular whiskey are the pottery containers the Womack brothers left behind.



Notes:  This post, while drawing on multiple sources, is chiefly dependent on an article by Rick Warwick, Williamson County historian, that appeared on the website, historicfranklin.com.  Thanks go to Bill Garland, the guru of Alabama whiskey, for the use of photos of the Womacks’ Decatur AL jugs from his informative 2009 book “Alabama Advertising Jugs.”







Madison County Distillers v. “Little Beachie”

 

Related by marriage and operating the only two distilleries in Madison County, Thompson Burnam and W.S. Hume almost certainly were constantly chivvied by other Kentucky whiskey-makers about the benign-looking lady shown here.  Her name was Frances “Little Beachie” Beauchamp, also a native of Madison County, who gained national attention as a powerful voice for Prohibition, leading a successful fight to turn America’s “Whiskey State” dry.


William Stanton “W.S.” Hume had married Eugenia Burnam,  a child of Thompson, and Lucinda Burnam.  Thereby was forged a close bond between father-in-law and son-in law in the Kentucky whiskey trade.  The first indication was in 1868 when the two were joined in a five-person financial group that built Madison County’s first distillery along Silver Creek, shown here, registered as 8th District, No. 541.  The company hired George Stagg as manager and made him a co-owner [See post on Stagg, April 30, 2016].



About 1884, Stagg had departed and Hume took full control of the distillery.  He rapidly built the facility into a major Kentucky whiskey producer. W. S. Hume & Co. had the capacity to mash and ferment 950 bushels of corn daily with a yield of three-and-one half gallons per bushel. This meant that every day in operation the distillery could produce 3,325 gallons.  Hume had warehouse space for 39,000 barrels to age on premises.  With a cooperage on site, he made his own barrels.




The insurance map above demonstrates the large expanse of the distillery, dependent on steam for power and encompassing large pens where cattle were fed the spent mash from the distilling operations.  Note too that the Louisville & Nashville (L&N) railroad maintained a freight depot on premises, adjacent to a large Hume warehouse.


Meanwhile, Thompson Burnam, with a partner, constructed Madison County’s second (and last) distillery,immediately adjacent to Hume on Silver Creek.   Designated 8th District, No. 1, this was a smaller plant but still able to mash and ferment 300 bushels of corn per day and yield three-and-one half gallons per bushel.  Burnam called his distillery and his brand, “Warwick.”



In their cosy and successful relationship, neither Hume nor Burnam likely paid much attention to little Fannie Estill, born in May 1857, an only child growing up on a nearby homestead in Madison County.   They may have noted when at the age of 18 she married 33-year-old James H. Beauchamp, a Confederate veteran and noted Kentucky lawyer.  Sometime after 1880 the couple moved to Lexington.  There in 1886, Francis joined the Women’s Christian Temperance Union (WCTU).  After a rapid rise through the ranks she became the elected president of the Kentucky WCTU which she led for 32 of 33 years until her death in 1823.


As one biographer has noted:  Beauchamp was a hands-on leader, and she established close relationships with WCTU women in her state, allowing the organization to grow significantly.  In 1887 there were less than ten local chapters of the WCTU in Kentucky. During her presidency, the number of Kentucky chapters rose to over three hundred.”


Beauchamps also melded the prohibition movement with women’s suffrage, actively advocating that women should vote in school board elections when Kentucky law opened that possibility.  “She mobilized both white and black women, bringing National WCTU President Frances Willard to Lexington in 1895 to speak at St. Paul’s African Methodist Episcopal Church. The organizational power of Lexington’s black women grew rapidly in these years, so much so that in the fall of 1901 they out-numbered white women in registering to vote for the upcoming Lexington School Board election.”  Frances Willard would give the Kentuckian the nickname “Little Beachie.”


By 1903 Beauchamps had been instrumental in passing a “local option” bill in Kentucky allowing localities to ban the sale of alcholic beverages if voters agreed.  In 1906 she saw the option expanded to counties.  By 1907, 95 of 119 Kentucky counties had voted “dry,” a stunner in a state known internationally for its whiskey production.


By now the Madison County distillers were all too aware of who Francis Beauchamps was.  In addition to being constantly reminded by their fellow Kentucky whiskey makers for their county having given rise to this Prohibition firebrand, they could see that local option was a disaster for sales.  Both men promptly sold out.  By 1905, W.S. Hume Distillers had become a part of the Kentucky Distilleries & Warehouse Company, New York capitalist-fueled, second major attempt at a Whiskey Trust.  A year later the Burnam, Bennett Distillery with its popular Warwick Whiskey brand sold out to Bernheim Distilling Company of Louisville who operated the distillery until National Prohibition. [See post on Bernheim, Dec. 10, 2014.]


Although it is difficult to tell for sure, my instincts are that the Bernheims may have been responsible for a more aggressive advertising campaign on behalf of Warwick Whiskey, including a saloon sign with a definite Oriental aspect.  A similar source may be behind the advertising material with a distinctly racist approach.  Although “Little Beachie” successfully had sought out African-American women to recruit to her causes, other Kentuckians preferred to objectify blacks in demeaning ways.  


Shown below is a drawing prepared for Warwick Whiskey, part of a pamphlet entitled “The Sage of Silver Creek.”  It depicts an elderly African-American gentleman called “Uncle Rastas” who is fishing and being quoted on the subject of religion, horses and whiskey.  The figure is the stereotyped Southern black whose fracturing of the English language obviously was believed to be a lively source of humor.   And, of course, Rastas heartily endorses Warwick Whiskey.



Meanwhile  W. S. Hume, having sold his successful distillery, was moving on with his life.   With a household that included wife Eugenia and seven children,  about 1880 he had built a mansion home on Silver Creek after tearing down the original brick structure on the property.  He called it “Holly Hill,” shown here as it was later remodeled. 


Tragically, the retired distiller would die in 1906 as a passenger on the ill-fated U.S. passenger steamer S.S. Valencia, shown below.  The ship struck a reef near the west coast of Vancouver Island during a violent storm.  Attacked by vicious winds and unrelenting waves it proved virtually impossible to remove the passengers safely.  Of 108 on board only 37 survived.  Hume was not among them. 


 


Meanwhile Francis Beauchamps was untiring in her efforts to bring a total ban on alcohol to Kentucky.  Even though still denied the vote herself, Beauchamp stepped into the male realm of politics by chairing Kentucky’s Prohibition Party for ten years.  Lobbying state and federal legislators to support a constitutional amendment, her work is said to have gained Kentucky approval for the 18th Amendment that ushered in National Prohibition.  Frances Beauchamps died in 1923 and is buried in Lexington Cemetery with family members.  Madison County has erected a historical sign in her honor.  



A summary comment on the Madison County distillers and the effect of “Little Beachie” was penned by a local historian:  “Both distilleries were closed down when the constitutional amendment on National Prohibition, led in no small part by Madison County’s own Frances Beauchamps, was passed in 1919.  Neither operation reopened when the amendment was repealed in 1933.”   


Note:   This post was researched from a number of sources.  The principal source for information about Frances Beauchamp was an Internet article published by Randolph Hollingsworth on January 19, 2019. 


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