Alberta Premium Cask Strength Rye Batch 2 (2020) Review

Wow. I’m impressed. Batch 2 arrives with all the character and bombast of Batch 1, but much less misogynistic endorsement and rabid demand. Color this kid happy. The fever pitch that arose following Jim Murray’s award left legions of folks hunting for bottles that seemed to disappear almost overnight. If rumors are to be believed, […]

Wow. I’m impressed. Batch 2 arrives with all the character and bombast of Batch 1, but much less misogynistic endorsement and rabid demand. Color this kid happy.

The fever pitch that arose following Jim Murray’s award left legions of folks hunting for bottles that seemed to disappear almost overnight. If rumors are to be believed, a parcel of what remained was bundled up and sent to the eastern reaches of this far-flung land, while an additional boatload was shipped overseas to sate one of the Asian markets. It makes sense to spread the wealth a bit. And as a Canuck, it makes me happy to see good Canadian whisky finding some well-deserved appreciation abroad.

And I think we’ve gotta hand it to Alberta Distillers: their ability to maintain consistency is second to none. While I’m certain this batch will again be much too small to meet demand, I’m optimistic that ADL has finally seen the light and realized they have the golden goose here in their Calgary distillery. I’m confident we’ll see this expression becomes a permanent addition to the Alberta Premium range. Goes to show it’s never too late to make a push for the front of the pack.

By the way…this one was all Black Current Halls Cough Drops to me, and sure enough, the packaging references black currents. One of the few times I’ve enthusiastically agreed with a brand’s published notes.

66.0% abv. Number of bottles? No clue. But certainly too few.

Tasting Notes

Nose: Blueberry n’ brambleberry. Black Current Halls Cough Drops. Raisin cookies, and all the requisite spices you’d expect (cinnamon, nutmeg, etc). Clean, sinus-clearing notes of fresh-cut pine or spruce; kinda like a stroll through the lumberyard. Chocolate covered cherries. A bit of caramel. A squeeze of lemon. French vanilla ice cream.

Palate: More dark berries here again. Reminds me of the berries I always pick while walking the footpaths on Islay (yes, I know, we’re getting a bit esoteric here). Tight, tight spicy rye. Eucalyptus. Clove and cinnamon. Pine sap. Chocolate. More currents. Grass (a mate of mine says maybe a black tea).

Finish: Long and oaky. Herbal and grassy. Quite oily.

Thoughts: Finish may drag it down a tick, but still a stellar sip. This is what rye should be. Makes me question even further the misstep that was the 20 year old from last year.

89/100

Ardbeg Wee Beastie (2020) Review

I came into this one with low expectations, I’ll admit it right up front. That had less to do with Ardbeg’s ability to create a decent young malt, and more to do with the fact that I kinda think most sub ten year old whisky tends to be a tad underripe and undeveloped. I expected […]

I came into this one with low expectations, I’ll admit it right up front. That had less to do with Ardbeg’s ability to create a decent young malt, and more to do with the fact that I kinda think most sub ten year old whisky tends to be a tad underripe and undeveloped. I expected brashness, a bit of a new make-y character, and not a lot more.

Sometimes it’s nice to be wrong.

Long months before Wee Beastie landed on our shores, it had already sparked a frenzy among the slavering peat fiends ’round here. The shop was so inundated with requests that we had to set aside a separate binder to manage all of the pre-orders and special requests (yes, yes, we still do some things in the ol’ analog way at KWM). And no matter how many times we shouted that this one was now a permanent fixture in the core range, it didn’t seem to quell the hunger (or thirst?). Perhaps part of that early pursuit was a weary and schooled intellectual approach, suggesting that many consumers are now aware that a new brand always puts its best foot forward (and often declines thereafter), but I think the reality has more to do with FOMO: fear of missing out. Ardbeg has cultivated legions of fans around the globe, and even with perpetual production (and an exciting new expansion!), the distillery is likely always going to be producing shy of demand.

As for the Beastie, I know I’m late to the party. Sorry ’bout that. Crazy times. But here we are. And fortunately, we have a dram of hella good young Islay malt in hand. Impressive beyond its years, and so much better than I’d hoped.

A vatting of ex-bourbon and ex-Oloroso casks, served up at 5 years young and 47.4% abv.

Tasting Notes

Nose: Yes, it’s peaty and quite feisty, as we’d expect in such a rambunctious youngster. Almond. Creamy lemon meringue. Warm welly boots and chlorine. Fresh pepper. Cold coffee. Something kinda like drinking mezcal in a barn. Pee in a pool. A very coastal tarriness. Bundt cake. Oat cakes. Oyster liquor and other fine briny things.

Palate: Very clean smoked peated grist. As mouthcoatingly smoky as you’d expect. Licorice. Key lime pie. Lemon cakes. Ladyfingers. Mint leaves. A bit of very-expected Granny Smith apple. And cough drops of some sort.

Finish: Long finish, primarily on chlorine, smoke and salt licorice.

Thoughts: It’s young, yeah, but it’s not spirity. An impressive – and ballsy – outing from our beautiful Ardbeggian family. Very much the distilled essence of Islay.

85.5/100

Bowmore 1964

In 2013, a good bunch of folks, led by our revered pied piper, Andrew Ferguson of Kensington Wine Market infamy, stole away to the foothills of the Canadian Rocky Mountains for a weekend of absolutely next level whisky tastings. The apex event of the weekend was a tasting of some of the most legendary 1964 […]

In 2013, a good bunch of folks, led by our revered pied piper, Andrew Ferguson of Kensington Wine Market infamy, stole away to the foothills of the Canadian Rocky Mountains for a weekend of absolutely next level whisky tastings. The apex event of the weekend was a tasting of some of the most legendary 1964 Bowmores known to man- (and woman-) kind.

In a completely unexpected (though gratefully accepted) bit of generosity, a wee set of samples was brought back for yours truly. Obviously, whiskies like this require pristine conditions in order to really be able to properly assess ’em, so…seven years after these priceless vials landed in my lap, on an afternoon when the palate was clean, my personal desire was sky high, and the interruptions were kept to a bare minimum, I finally sat down with these precious drops of Islay’s greatest distillate and took a bit of a journey. My couch sipping session may have lacked the elegance and atmosphere of the initial event, but the malts are transportive, to say the least.

Listen. I wanted this post to be a poem of such epic proportion Yeats himself would have wept, but there’s simply no way I can throw commonplace nouns and verbs at these malts and have them ring true to just how special they are. Man’s limitations are pretty glaring most times. Fortunately, the whisky gods are verbose and have said all that needs to be said via the glass. I know that doesn’t really help here, but if you’ve ever had the chance to taste these drams, you’ll understand what I mean. And I happen to know that a rather substantial portion of you have actually tasted at least one of these drams. For those that haven’t, bear with me as I do my best to articulate just what these Bowmores are all about.

Before we dive into tasting notes, however, let me just say: tropical, tropical, tropical. Get used to hearing it. I’ll be throwing that word around a lot over the next few paragraphs. When we speak of those legendary vintages – the ones that make whisky folk weak-kneed and starry-eyed – 1964 Bowmore has to be right up at the top of the pyramid. There is something utterly magical about them. And I have to say, they are also some of the very best drams I’ve ever had the pleasure to taste.

Y’already know how I feel about the Black Bowmore (42 y.o.), aye? I think at the time I reviewed it, I scored it at 97 points, the highest mark I’ve ever assigned. I opted not to simply repost those notes and scores, but instead to revisit and reassess even that old favorite. So, without saying any more…let’s just dive in, shall we?

Black Bowmore 1964 42 y.o.

Five oloroso sherry casks. 827 bottles. 40.5% abv. Released 2007.

Nose: Beautiful clean chariness. Five Alive fruit juice infused with the cleanest and most elegant of smoke. Now we’re into a stunning mix of fresh and dried tropical fruits. A bit of peach with all those other to-be-expected notes of guava, mango, passionfruit, pineapple and more. A beautifully dark and rich cherry tang. Black currents. Pink grapefruit. A hint of cold coffee. Vintage sherry. Faint echoes of peat. Old oiled machinery. Ancient polished wood. This just reeks of majesty and age.

Palate: Slightly medicinal. More smoke than either the White or Gold Bowmore, and more earthy peat to boot. Hugely tropical. Sticky, oily dried mango, apricot, pineapple, peach. More orange. More pineapple. Brine and a much more profound Islay-ness than the nose suggests. Seared seafood. Charred grapefruit. Baked ham. Griotines. Cherry cough syrup. Figgy pudding.

Finish: Some decent tannins, but it’s that deep, dark oily, and rather bittering finish that steal the show. Just wow.

Thoughts: Does it get better? Honestly?

96/100

White Bowmore 1964 43 y.o.

Six bourbon barrels. 732 bottles. 42.8% abv. Released 2008.

Nose: Tropical heaven. Sweet pineapple. Mango, orange, papaya, grapefruit, passion fruit. Man…the parade of fruits is endless. Dunnage. A touch of marzipan and sugar cookies. Tropical fruit pie. Honey. Marmalade. Fruit flan. White chocolate. Truly stunning cask notes; almost hard to believe wood can do this.

Palate: Oh, dear God. Grapefruit, mango, passionfruit, papaya. Grilled pineapple rings. What a stunning sweet/sour tang. Can’t stop the flood of saliva. Oily. Only faintly smoky, but there’s a definite coastal element to it. This is all fruits, spritzed with citrus juice (lemon, lime, orange and grapefruit). Such clean, but rather indistinguishable, spice tones.

Finish: Those tropical tangy notes linger forever. Maybe longer.

Thoughts: Utterly incomparable.

95/100

Gold Bowmore 1964 44 y.o.

Three bourbon barrels and one oloroso sherry cask. 701 bottles. 42.4% abv. Released 2009.

Nose: Toastier than the White. I can only assume that’s the toasty, nutty influence of the sherry butt. Crème caramel. Still unbelievably tropical, of course. Tame those pineapple and orange notes just a wee notch (though they’re still huge!), and add some kiwi. Vanilla. Warm honey. A hint of fruitcake (made with ancient cognac). And yeah…maybe a hint of old Armagnac. Faint peat.

Palate: Slow to develop, then wham! Cold espresso. Twiglets. Grapefruit. Guava and passion fruit. Mango. Mandarin. A beautiful subtle smokiness. Glazed ham and pineapple. Prosciutto. Raspberry.

Finish: Deeper than the White, but maybe a tick less endearing. Still bittering and tropically tart.

Thoughts: Nose is more muted than expected, but the palate more than makes up for the whispered beginnings.

93.5/100

Black Bowmore 1964 31y.o.

Sherry butts. 1812 bottles. 49% abv. Released 1995.

Nose: Toasted marshmallow. Saville orange. Molasses. More smoke here. Oily and syrupy. The tropical notes are here, but not as monolithic as they appear in the trilogy releases. Polish. Old wet oak. Cherry, raspberry and strawberry with passion fruit, peach, pineapple, guava, etc. Tobacco pouch or snuff bag. Oiled leather.

Palate: Whoa. Syrupy, syrupy, syrupy. More of those reduced dark fruits – like a smoked cherry and raspberry reduction. That sweet/sour balance is incredible. Pink grapefruit. Passion fruit. Mango. Cold espresso. Tobacco. Seared duck. Seaspray. A stronger flinty minerality.

Finish: More tannic than the others, by far. But that bittering finish is, once again, to die for.

Thoughts: Denser, darker, somehow more syrupy than the 42 y.o. Stronger tannins, and less tropical notes. Though I’m sure it goes without saying…utterly stunning.

94/100

Bowmore 1964 Fino 46 y.o.

One fino sherry butt. 72 bottles 42.9% abv. Released 2012.

Nose: Candied sweetness. All those tropical notes smash head on in to a confectioner’s shop. Bubble gum. Salt water. More tropical juices (yes, yes…you’re getting sick of the word ‘tropical’). Scones. Heavy cream. Mandarins. Kiwi. Sour cherries. Key lime and blood orange. A hint of fill.

Palate: Oh, wow. Kiwi and guava. Lemon pie. A squeeze of lime. Grapefruit pith. Green curry. Dill. What the hell?! The tropical notes keep expanding as it develops. Love that gorgeous medicinal note that toes up against the tangy fruits. Oily and salty. Mango. Tiramisu. Honey.

Finish: Long and slightly drying. Cherry cordials. Tropical fruit skins.

Thoughts: This one shattered any expectations I had. Simply mindboggling.

95/100

Kilchoman Sanaig (2020) Review

This one came as a bit of a surprise in my circles. Normally we don’t get so hung up on color that it becomes the primary speaking point, but let’s face it…this stuff is about four shades darker than previous releases. It looks like medium roast coffee mixed with cherry cola. The usual light-to-dark color […]

This one came as a bit of a surprise in my circles. Normally we don’t get so hung up on color that it becomes the primary speaking point, but let’s face it…this stuff is about four shades darker than previous releases. It looks like medium roast coffee mixed with cherry cola. The usual light-to-dark color spectrum of the big three Kilchoman expressions – Machir Bay, then Sanaig, then Loch Gorm – was turned on its head with the arrival of this 2020 edition of Sanaig. It scrambled the wee rainbow and threw the darkest of ’em all smack dab in the middle of the trio. Quite frankly, the hue shames the fully-sherried Loch Gorm. And while Sanaig may be a marriage of ex-bourbon (30%) and ex-oloroso casks (70%), it’s unquestionably the sherry that stands center stage here. You’ll get some of the spice from those bourbon barrels, but the more subtle notes – coconut, vanilla, etc – are lost beneath the deeper wash of Oloroso.

Expect big spice, big dried fruit tunes and bucketloads of savory, charry, goodness. Oh, and quality. You’ll find it here in spades.

Sanaig is named for a rocky little cove off the northern coast of Islay where the cold, harsh waves of the Atlantic dash themselves time and time again against ancient metamorphic rock. Are we running out of geographical/geological features on Islay to name our beloved malts after? Asking for a friend.

46% abv

Tasting Notes

Nose: A hella big peaty dram. Beachside bonfire. Islay malt married to grape juice. Raspberry and orange. Fig spread. Ju-jubes. Seared scallops and bacon. Some sort of red wine-reduced savory meat sauce. A bit of unlit pipe tobacco.

Palate: A lot smoke, a fair bit of hickory. Fruit leather. Arrives juicy, develops some slight tannins around the mid palate. Purple grapes and plums. Figgy pudding. Sen-sens. Cough drops.

Finish: Long and smoky. A hint of smoked shellfish and some flinty notes as it fades.

Thoughts: A little top-heavy – or maybe just overly rambunctious – but well-built, nonetheless.

88/100

Kilkerran 12 y.o. (2018) Review

I kinda get the impression that Hedley Wright wasn’t born with enough middle fingers. If you don’t know the gent I’m speaking of, rest assured that I mean this with the utmost respect for this nonagenarian. Confession: I absolutely adore the Hedley ethos. Some of you are probably aware that I have an almost unconditional […]

I kinda get the impression that Hedley Wright wasn’t born with enough middle fingers. If you don’t know the gent I’m speaking of, rest assured that I mean this with the utmost respect for this nonagenarian. Confession: I absolutely adore the Hedley ethos.

Some of you are probably aware that I have an almost unconditional love for Campbeltown and Campbeltown whiskies. I love the place, the people, the history and the distilleries. I love the bars and the late-night strolls. Most importantly, I love all the memories I’ve made there. The clock seems to move at a different pace on this wee peninsula.

But I suppose we should be talking about the whisky we’re reviewing, aye?

Kilkerran, as many of you will know, is not a distillery; it is the brand name for the single malt produced at the Glengyle distillery.

So, here’s the tale as I’ve heard it told, for those that may not have listened to me sentimentalize this one in person: Back in the early 2000s, Campbeltown was in danger of losing its regional status in the eyes of the Scotch Whisky Association. The ‘wee toon’ ’round the harbour – once the world’s most famous and in-demand whisky-producing sector – had reached a point where only two distilleries remained in production. A mighty fall for a town (and region) that once boasted more than thirty producers.

Enter one Hedley G. Wright, a generational descendent of the Mitchell family (whose name you’ll still see adorning Springbank bottlings to this day), and his mad machinations to protect the regional status of Campbeltown. Hedley made the argument that the Lowlands only had three operational distilleries and were still a recognized region, ergo, if Campbeltown had the same number then they should reap the same benefits. The SWA agreed. So, Hedley bought the neighbouring corpse-distillery of Glengyle, cleaned out tons of birdshit (and who knows what all else), and tricked out the building with equipment purchased from the now-defunct Ben Wyvis distillery. All equipment, piping and possibly even the kitchen sink was procured for a rather paltry £300,000. And in 2004, the spirit began to flow.

Twelve years later we’ve reached the culmination of a lot of ‘work in progress’ releases, and if I’m being honest…this is one of the most impressive age-stated renaissance expressions I’ve ever encountered (Laddie 10 being another). It’s everything I wanted, and a whole lot more.

Batches vary, I understand, but this one was apparently 70% ex-bourbon, 30% ex-sherry. Bottled at 46% abv. Bottle code: 18/337. Bottled: 03/08/2018.

Tasting Notes

Nose: Awww, yeah. A heapin’ helpin’ of the Campbeltown funk. Love it. Smells of the farmyard. Oat cakes. A touch of pool water (chlorine?). A balanced salinity. I keep catching a fleeting whiff of blueberry. Lemon. Burlap, or hessian. Peanuts in the shell. A bit minerally, maybe slate or clay.

Palate: Love this distinctive peatiness. A nice clean citrus, both lemon and orange. Licorice Babies. Like chewing on a stalk of straw. Those oat cakes are back again. Overbaked – not quite burnt – pastry.

Finish: A nice lingering farmy funk. Salty crackers. A nice peaty fade.

Thoughts: Almost indistinguishable from Springbank. And that, of course, makes perfect sense.

89/100