Why You Should Add Bottled-in-Bond to Your Collection
March 3 marks the anniversary of the passage of the Bottled-in-Bond Act of 1897, a 125-year-old landmark law created to improve the quality of the whiskeys we all love. Here’s why it was needed.
March 3 marks the anniversary of the passage of the Bottled-in-Bond Act of 1897, a 125-year-old landmark law created to improve the quality of the whiskeys we all love. Here’s why it was needed.
Lost Lantern, the new independent bottler of American whiskey that launched less than 18 months ago, is pleased to announce their Spring 2022 collection, featuring four limited edition single casks from four celebrated distilleries: Smooth Ambler in West Virginia, Westward in Oregon, Frey Ranch Distillery in Nevada and Spirit Works in California. Beginning March 9, …
Lost Lantern, the new independent bottler of American whiskey that launched less than 18 months ago, is pleased to announce their Spring 2022 collection, featuring four limited edition single casks from four celebrated distilleries: Smooth Ambler in West Virginia, Westward in Oregon, Frey Ranch Distillery in Nevada and Spirit Works in California.
Beginning March 9, the Spring 2022 single cask collection will be available for sale on LostLanternWhiskey.com and Seelbachs.com. All offerings are bottled at cask strength, are non-chill-filtered and have natural color.
· 2022 Single Cask #1: Smooth Ambler West Virginia Straight Bourbon Whiskey (195 btls): SRP, $80
· 2022 Single Cask #2: Westward Oregon Single Malt Whiskey Finished in Chardonnay Cask (272 btls): SRP, $130
· 2022 Single Cask #3: Frey Ranch Distillery Nevada Four Grain Straight Bourbon Whiskey (188 btls): SRP, $100
· 2022 Single Cask #4: Spirit Works California Straight Rye Whiskey Finished in a Sloe Gin Cask (207 btls): SRP, $100
Single casks are an essential piece of the Lost Lantern model, inspired by the long tradition of independent bottlers in Scotland. These highly limited, one-of-a-kind single casks consist of unique and deeply expressive whiskies produced by some of the finest distilleries in the United States. Since their debut in October 2020, Lost Lantern has released 22 single casks from Santa Fe Spirits (NM), Cedar Ridge (IA), New York Distilling Company (NY), Ironroot Republic (TX), Whiskey Del Bac (AZ), Balcones (TX) Watershed (OH), Boulder Spirits (CO), Spirit Works (CA), St. George Spirits (CA), McCarthy’s (OR), Smooth Ambler (WV), Starlight (IN), Westward (OR), and Frey Ranch Distillery (NV).
In addition to the single cask releases, Lost Lantern’s flagship blend, American Vatted Malt Edition No. 1 (SRP $120) is available. Recently named ‘Best American Blended Malt’ at the 2022 World Whiskies Awards, it was created with some of the biggest names in American single malt (Balcones in TX, Copperworks in WA, Santa Fe Spirits in NM, Triple Eight in MA, Westward in OR, and Virginia Distillery Co. in VA). American Vatted Malt represents collaboration and community amongst distillers and crafters who share the vision of bringing American whiskey into the light it deserves.
Lost Lantern single casks show that the best whiskey reflects where it’s made, how it’s made, and who made it, and demonstrate that compelling whiskey comes from all across the United States.
2022 Cask #1: Smooth Ambler West Virginia Straight Bourbon Whiskey
(195 btls | 123 Proof): SRP, $80
This is the second of a pair of bourbon casks Lost Lantern selected from Smooth Ambler Spirits in Maxwelton, West Virginia. Smooth Ambler has long been on the vanguard of sourcing and blending whiskey with transparency and integrity. They’ve also been distilling and aging their own whiskey as they forge a new whiskey tradition in West Virginia. Distilled on Smooth Ambler’s own column still in West Virginia, it was aged in a 53-gallon barrel for 5 years. The nose has notes of toasted almond, white chocolate, and cranberries. The palate is rich and spicy, with clove, black cherry and deep oak flavors.
2022 Cask #2: Westward Oregon Single Malt Whiskey Finished in a Chardonnay Cask
(272 btls | 121 Proof): SRP, $130
Known for pushing the boundaries of craft spirits for almost two decades, Westward in Portland, Oregon has created a new style of American single malt built on the brewing culture of the Pacific Northwest. This single malt was made from 100% two-row malted barley grown in the Pacific Northwest. It was aged for 28 months in a new oak cask, then finished for 20 months in an Oregon Chardonnay cask. It has a structured and well-rounded palate with a big malty flavor that includes hints of white flowers, toasted pecans, and fresh pears. It is reminiscent of a meadow in the first days of fall.
2022 Cask #3: Frey Ranch Distillery Nevada Four Grain Straight Bourbon Whiskey
(188 btls | 124 Proof): SRP, $100
Frey Ranch, located in a unique farming oasis in the watershed of Lake Tahoe in northern Nevada, is where Colby and Ashley Frey have transformed their fifth-generation family farm into one of the most exciting distilleries in the country. Committed to doing things the right way, no matter how long it takes, Frey Ranch is one of the only true estate distilleries in the U.S. This cask is a 5-year-old straight bourbon whiskey made entirely from grain grown at Frey Ranch. It has spicy, earthy fruit flavors, with notes of black cherry and caramel vanilla creams. It is Lost Lantern’s first Nevada whiskey.
2022 Cask #4: Spirit Works California Straight Rye Whiskey Finished in a Sloe Gin Cask
(207 btls | 113 Proof): SRP, $100
Located in the heart of Sonoma wine country, Spirit Works is a family-run distillery built from the ground up with sustainable practices in mind. Highly awarded and respected, the distillery also has one of the very few female-led distilling teams in the United States. Most importantly, they make wonderful spirits like whiskey and gin. This special whiskey was made by finishing straight 2-year-old Spirit Works rye whiskey for an additional year in a cask that previously held the distillery’s sloe gin. The finish adds complex flavors of strawberry, raspberry, and juniper to the underlying spice, vanilla, and oak notes, making this whiskey similar in flavor to the iconic cocktail, the Boulevardier.
Classic combination of citrus and ginger with spice and zest in harmony. 84/100
If you’re wondering who the heck this Benjamin Chapman 7 Year Canadian Whisky is in reference to, get in line. All I can find about the guy is what’s in the official press release. Which is then copied verbatim across every single whiskey site that posts press releases as if they were original content. What […]
The post Benjamin Chapman 7 Year Canadian Whisky Review appeared first on The Whiskey Jug.
If you’re wondering who the heck this Benjamin Chapman 7 Year Canadian Whisky is in reference to, get in line. All I can find about the guy is what’s in the official press release. Which is then copied verbatim across every single whiskey site that posts press releases as if they were original content. What is that verbatim? Don’t worry, I’ll save you a Google search.
“Benjamin Chapman 7-Year Whiskey was inspired by an enigmatic figure from the 1960s international jet set era. Elusive as he was respected among the international cognoscenti, Benjamin Chapman became legendary for his refined tastes and preference for the finer things. This classically crafted whiskey is a tribute to his legacy.”
The first five pages of Google are about the whisky and after five pages I give up. I assume somewhere there’s something about this supposed person, but heck if I know. So I can’t give you any background on the person, but then that’s not what we’re really here to do. We’re here to talk about whisky and that I can do.
This whisky is a blend of Canadian rye and Canadian wheat whiskies and is marketed as an elevated premium whisky. I’m not the biggest fan of Canadian whisky, but sometimes it can surprise me and be delicious instead of cloying. So let’s get to drinkin’ and see if this blend is a good tribute to Benjamin Chapman… whoever the hell that is.
Non-Chill Filtered | Natural Color
Style: Blended Whisky (Canadian)
Region: Canada
Distiller: Undisclosed
Blend: 51% 10-Year Canadian Rye, 49% 7-Year Canadian Prairie Wheat
Cask: New and used cooperage
Age: 7 Years
ABV: 45%
Benjamin Chapman 7 Year Canadian Whisky Price: $40*
Alberta Premium Cask Strength Rye
Caribou Crossing Single Barrel Canadian Whisky
Canadian Club 100% Rye Whisky
Forty Creek Confederation Oak
Forty Creek Barrel Select
EYE
Golden
NOSE
Vanilla taffy, spice, dark sweetness, copper, herbaceous, citrus, nuts and baking spice with a slight Play-Doh note.
Pleasant. A light fruitiness slowly arises as it opens, but it doesn’t shift the core profile at all.
PALATE
Grassy grain, toffee, baking spice, herbaceous, vanilla, touch of candied ginger.
This palate is going to be VERY divisive, but at least it will stand out in the market.
FINISH
Medium -> Grassy (almost corn husks), toffee and vanilla pod fade to a grassy candied ginger.
BALANCE, BODY and FEEL
Decent balance, medium body and a soft silken feel.
Reminds me of that SiB Wathens from a few years ago with that grassy grain note. It’s so fresh it conjurs images of freshly hewn grains and earth, like harvest time on a farm. This is very interesting and completely atypical of the Canadian whisky we’re used to here in the USA. And I’m 100% ok with that. I’m not a fan of the typical light, cloying, butterscotchy style that comes out of the North.
This won’t be everyone’s dram of whiskey, a lot of people’s if I’m to judge by the Wathen’s reception, but I think this is awesome. It’s weird and perverse in good ways and adds a fairly unique and tasty profile to an oversaturated market. Benjamin Chapman 7 Year Canadian Whisky may not be not super complex or deep, but what’s there is fun.
SCORE: 3.5/5 (above average, worth checking out – B | 83-86)
*Disclosure: The bottle for this Canadian Whisky review was graciously sent to me by the company without obligation. The views, opinions, and tasting notes are 100% my own.
The post Benjamin Chapman 7 Year Canadian Whisky Review appeared first on The Whiskey Jug.
Tobermory Distillery, located on the Isle of Mull in the Inner Hebrides off the coast of Scotland, has released a limited edition 24-year-old single malt to their Hebridean Series. The Isle of Mull is the second largest island in the Inner Hebrides in Scotland. Tobermory 24-Year-Old single malt was matured for nine years in Oloroso […]
Tobermory Distillery, located on the Isle of Mull in the Inner Hebrides off the coast of Scotland, has released a limited edition 24-year-old single malt to their Hebridean Series. The Isle of Mull is the second largest island in the Inner Hebrides in Scotland.
Tobermory 24-Year-Old single malt was matured for nine years in Oloroso sherry casks, bottled at 52.5% alcohol by volume [105 proof] and is said to contain notes of blackcurrant jam, cinnamon, cocoa, nutmeg, toasted oak and vanilla.
Only 3,600 bottles of Tobermory 24-Year-Old limited edition single malt are being made available for $430 per bottle on Tobermory’s website [www.tobermorydistillery.com] beginning on March 10, 2022.
Dr. Don Livermore is the master blender at Hiram Walker Distillery in Windsor, Ontario, and the winner of numerous awards for his Canadian whiskies over the years. He’s also a whisky nerd, as we proved during our #HappyHourLive webcast the other night. You can catch the fun each Friday night on the WhiskyCast YouTube channel, our Facebook page, Twitter, and Twitch. Links: Hiram Walker Distillery
Dr. Don Livermore is the master blender at Hiram Walker Distillery in Windsor, Ontario, and the winner of numerous awards for his Canadian whiskies over the years. He’s also a whisky nerd, as we proved during our #HappyHourLive webcast the other night. You can catch the fun each Friday night on the WhiskyCast YouTube channel, our Facebook page, Twitter, and Twitch.
Shown above are the five Sottile (sah-tilly) brothers with their two sisters. No, these immigrants from Sicily were not circus performers. A family biography put it this way: “Through their hard work, determination and entrepreneurial skills…Giovanni, Nicholas, Santo, Albert and James achieved high esteem, affluence and prosperity in their various business ventures and civic efforts in Charleston.”Their launching pad in South Carolina, as indicated by the illustration above, was selling whiskey.
As the eldest and first to come to America, Giovanni (aka “John”) Sottile was the “founding brother.” As each siblng reached maturity, four would follow him: Nicholas in 1890, Santo, 1891, Albert, circa 1897, and James, 1899. After landing in New York City, Giovanni, shown here, had gone straight to South Carolina, to become an accountant for a phosphate mining company. After several years, he left that job and settled in Charleston and entered the liquor trade. With brother Nicholas in May 1895 he opened a bar and food stand called the Jetty House on nearby Sullivan’s Island. That enterprise evolved into a liquor and beer enterprise located at a complex called the Vendue Range, near the Charleston waterfront. Called G. Sottile & Bro. it was a success and brought considerable wealth to the family.
Giovanni and later his brothers, understanding Charleston’s potential for growth, intelligently used their money to buy real estate in and around the city. Because of Giovanni’s prominence, in 1899 the Italian government appointed him as Italy’s honorary consul for North and South Carolina. From his experience with the mining company Giovanni was aware of the harsh treatment often meted out to Italian workers and he took up their cause. According to a report: “One sick worker who could not return to work was shot dead for disobeying a work order. Sottile appealed to South Carolina Governor McSweeney and investigations ensued. This was the first of three exploitation incidents that Sottile was involved in investigating for possible prosecution.”
At a model farm Giovanni bought about 20 miles from Charleston, he actively gave employment to Italian immigrants. He also had purchased a spacious four story house brick house in Charleston from which he managed his consular activities and entertained Italian dignitaries and local politicians. His childhood sweetheart, Carmela Restivo, whom he had returned to Italy to marry, proved a gracious hostess. In 1909 Giovanni’s service earned him a knighthood from the King of Italy. Unfortunately, at the height of his career, Giovanni died unexpectedly at home in 1913. Only 46, he left a widow and four minor children. With his brothers and their families in attendance he was buried in Charleston’s St. Lawrence Cemetery.
Nicholas Sottile, the second brother to arrive from Sicily, continued Giovanni’s legacy of entrepreneurship and public service. As some point he left the family liquor house at the Vendue to own and operate the Washington Square Cafe, a popular Charleston eatery and saloon, strategically placed across from the Hibernian Hall between Broad and Queen Streets. As South Carolina was going “dry,” Nicholas apparently determined that the crockery offered more opportunity and established the China and Glass Emporium on King Street and an automobile paint shop.
Nicholas also was active in local affairs, serving as a Charleston alderman and later a member of the board of trustees of Charleston High School. As the father of eight children he apparently had a strong appreciation of the value of education. Retired as he reached 60 years, Nicholas died unexpectedly of a heart attack in November 1928. Commending this Sottile as “ever active in politics and the general life of the community,” Charleston’s mayor ordered the flag flown at half staff over city hall in Nicholas’ honor. He was buried in St. Lawrence Cemetery near Giovanni.
Meanwhile the Sottile liquor house at the Venue, now called Sottile Brothers, had continued without Giovanni or Nicholas. In charge were Santo and Albert Sottile, with the youngest brother, James, employed there. Shown above is a company letterhead from 1904 advertising their primary brand, “Old Quaker Rye.” This was the product of the Corning Distillery of Peoria, Illinois, and a premier national brand. [See post on Corning January 26, 2016].
As prohibitionary pressures increased, Santo Sottile, shown here, shifted his focus. In the 1910 census he gave his occupation as “wine merchant.” By 1914, at the same location he was listed as president of the “Interstate Distributing Company” advertised as “general brokers.” It is not clear whether the outfit was dealing in wine or spirits. As many other whiskey men did as prohibition prevailed, Santo moved into the automotive field, listed as running a garage and “The People’s Tire Service.” Subsequent directory listings recorded him as a Charleston Cadillac dealer. Married and the father of six children, Santo died at the age of 61 and was buried in St. Lawrence Cemetery.
Prohibition also had moved Albert (aka “Alberto”) Sottile, shown here, out of the liquor trade. In rapid fashion he earned recognition as “Charleston’s “great entertainment impresario” a man who “understood the value of visual delights,” according to a July 2019 article in the College of Charleston Magazine. Alfred was the 1908 founder and president of the Pastime Amusement Company, heading it for 52 years. During that time, the magazine reported: “Mr. Sottile oversaw a dazzling stable of properties punctuating downtown Charleston, including the Garden Theatre, the Riviera and the American on King Street; the Arcade on Liberty Street; and the Victory on Society Street. Most showed first-run films…while others also presented touring vaudeville shows.”
Shown above is the Sottile Theater, now part of the college campus. It is reported that during intermissions at this theatre while the 16 millimeter reels were changed, Albert would entertain the audience by singing Italian songs, accompanied by a large pipe organ he had imported from Italy. Like his brothers, Albert was a family man with a wife and one daughter. He housed them in the large frame mansion at 11 College St., also now part of the campus. Albert died in 1960 at the age of the age of 82. His burial site is not identified.
Although James (aka “Frank”) Sottile was the youngest of the brothers and the last to arrive in America, he proved to be a fast learner. Employed at the Sottile Brothers liquor house through 1907, by the 1910 census, he listed his occupation as an independent broker, unspecified as to what he might have been brokering. Three years later, still under 30 years old, James would be listed in city directories as president of a Charleston company that manufactured “sashes, doors, blinds and general millwork,” vice president of Alfred’s amusement company, and president of the Charleston-Isle of Pines Traction Company. In 1914, with the exception of a few lots, James became sole owner of Isle of Pines, a seashore resort island near Charleston. As shown below, he constructed a spacious beach pavilion and a Ferris wheel on the property. He made his headquarters at the Charleston hotel, above, a venue he also came to own.
But Charleston was not enough to satisfy James’ ambitions. Married and with three children, he looked to Florida as a place for profitable investment. While always considering the South Carolina city home, he and his family maintained a residence in Miami. James’ principal investment was a 30,000 acre property near Florida City known popularly as Sottile Farms. After investing heavily in digging drainage canals and establishing roads, he leased farm plots to Italian-American farmers employing a tenant system used in Sicily. Assisted by his sons, James gradually built up holdings of over 5,000 acres of citrus groves and 10,000 head of cattle on 30,000 acres of pasture. He eventually owned nine Florida banks.
Said one South Florida newspaper report: “ Not long after the arrival of James Sottile on the scene Florida City morphed into an Italian community…The new farmers were very industrious and sacrificing and later prospered greatly. Sottile was also very generous, donating land for the State Farmers’ Market, farm worker housing… and the land for Homestead’s Bayfront Park.” Giovanni’s legacy lived on.
By the time of his death in 1964 at age 77, James was accounted one of the richest men in America. His body was carried from Florida back to Charleston where he was buried at St. Lawrence Cemetery not far from his brothers. Subsequent generations of Sottiles have carried on the family tradition of creative entrepreneurship, public service and concern for those less fortunate. They have placed a plaque with the names of the family members who immigrated to the United States on the “American Immigrant Wall of Honor” at Ellis Island and hold regular reunions. Importantly, descendants have given due respect to what generated the initial financial impetus for Sottile achievements: Selling whiskey. The image that opens this post was the cover of a family reunion brochure.
Note: Given their achievements, the Sottiles deserve book-length treatment, perhaps generated by the College of Charleston. Led to the brothers as “whiskey men” by the picture that opens this story, I found considerable material on genealogical sites and in newspaper articles, including obituaries. The family website offered photos. Unable to find a photo of James Sottile, I am hopeful a descendant will see this post and provide one.
Shown above are the five Sottile (sah-tilly) brothers with their two sisters. No, these immigrants from Sicily were not circus performers. A family biography put it this way: “Through their hard work, determination and entrepreneurial skills…Giovanni, Nicholas, Santo, Albert and James achieved high esteem, affluence and prosperity in their various business ventures and civic efforts in Charleston.”Their launching pad in South Carolina, as indicated by the illustration above, was selling whiskey.
As the eldest and first to come to America, Giovanni (aka “John”) Sottile was the “founding brother.” As each siblng reached maturity, four would follow him: Nicholas in 1890, Santo, 1891, Albert, circa 1897, and James, 1899. After landing in New York City, Giovanni, shown here, had gone straight to South Carolina, to become an accountant for a phosphate mining company. After several years, he left that job and settled in Charleston and entered the liquor trade. With brother Nicholas in May 1895 he opened a bar and food stand called the Jetty House on nearby Sullivan’s Island. That enterprise evolved into a liquor and beer enterprise located at a complex called the Vendue Range, near the Charleston waterfront. Called G. Sottile & Bro. it was a success and brought considerable wealth to the family.
Giovanni and later his brothers, understanding Charleston’s potential for growth, intelligently used their money to buy real estate in and around the city. Because of Giovanni’s prominence, in 1899 the Italian government appointed him as Italy’s honorary consul for North and South Carolina. From his experience with the mining company Giovanni was aware of the harsh treatment often meted out to Italian workers and he took up their cause. According to a report: “One sick worker who could not return to work was shot dead for disobeying a work order. Sottile appealed to South Carolina Governor McSweeney and investigations ensued. This was the first of three exploitation incidents that Sottile was involved in investigating for possible prosecution.”
At a model farm Giovanni bought about 20 miles from Charleston, he actively gave employment to Italian immigrants. He also had purchased a spacious four story house brick house in Charleston from which he managed his consular activities and entertained Italian dignitaries and local politicians. His childhood sweetheart, Carmela Restivo, whom he had returned to Italy to marry, proved a gracious hostess. In 1909 Giovanni’s service earned him a knighthood from the King of Italy. Unfortunately, at the height of his career, Giovanni died unexpectedly at home in 1913. Only 46, he left a widow and four minor children. With his brothers and their families in attendance he was buried in Charleston’s St. Lawrence Cemetery.
Nicholas Sottile, the second brother to arrive from Sicily, continued Giovanni’s legacy of entrepreneurship and public service. As some point he left the family liquor house at the Vendue to own and operate the Washington Square Cafe, a popular Charleston eatery and saloon, strategically placed across from the Hibernian Hall between Broad and Queen Streets. As South Carolina was going “dry,” Nicholas apparently determined that the crockery offered more opportunity and established the China and Glass Emporium on King Street and an automobile paint shop.
Nicholas also was active in local affairs, serving as a Charleston alderman and later a member of the board of trustees of Charleston High School. As the father of eight children he apparently had a strong appreciation of the value of education. Retired as he reached 60 years, Nicholas died unexpectedly of a heart attack in November 1928. Commending this Sottile as “ever active in politics and the general life of the community,” Charleston’s mayor ordered the flag flown at half staff over city hall in Nicholas’ honor. He was buried in St. Lawrence Cemetery near Giovanni.
Meanwhile the Sottile liquor house at the Venue, now called Sottile Brothers, had continued without Giovanni or Nicholas. In charge were Santo and Albert Sottile, with the youngest brother, James, employed there. Shown above is a company letterhead from 1904 advertising their primary brand, “Old Quaker Rye.” This was the product of the Corning Distillery of Peoria, Illinois, and a premier national brand. [See post on Corning January 26, 2016].
As prohibitionary pressures increased, Santo Sottile, shown here, shifted his focus. In the 1910 census he gave his occupation as “wine merchant.” By 1914, at the same location he was listed as president of the “Interstate Distributing Company” advertised as “general brokers.” It is not clear whether the outfit was dealing in wine or spirits. As many other whiskey men did as prohibition prevailed, Santo moved into the automotive field, listed as running a garage and “The People’s Tire Service.” Subsequent directory listings recorded him as a Charleston Cadillac dealer. Married and the father of six children, Santo died at the age of 61 and was buried in St. Lawrence Cemetery.
Prohibition also had moved Albert (aka “Alberto”) Sottile, shown here, out of the liquor trade. In rapid fashion he earned recognition as “Charleston’s “great entertainment impresario” a man who “understood the value of visual delights,” according to a July 2019 article in the College of Charleston Magazine. Alfred was the 1908 founder and president of the Pastime Amusement Company, heading it for 52 years. During that time, the magazine reported: “Mr. Sottile oversaw a dazzling stable of properties punctuating downtown Charleston, including the Garden Theatre, the Riviera and the American on King Street; the Arcade on Liberty Street; and the Victory on Society Street. Most showed first-run films…while others also presented touring vaudeville shows.”
Shown above is the Sottile Theater, now part of the college campus. It is reported that during intermissions at this theatre while the 16 millimeter reels were changed, Albert would entertain the audience by singing Italian songs, accompanied by a large pipe organ he had imported from Italy. Like his brothers, Albert was a family man with a wife and one daughter. He housed them in the large frame mansion at 11 College St., also now part of the campus. Albert died in 1960 at the age of the age of 82. His burial site is not identified.
Although James (aka “Frank”) Sottile was the youngest of the brothers and the last to arrive in America, he proved to be a fast learner. Employed at the Sottile Brothers liquor house through 1907, by the 1910 census, he listed his occupation as an independent broker, unspecified as to what he might have been brokering. Three years later, still under 30 years old, James would be listed in city directories as president of a Charleston company that manufactured “sashes, doors, blinds and general millwork,” vice president of Alfred’s amusement company, and president of the Charleston-Isle of Pines Traction Company. In 1914, with the exception of a few lots, James became sole owner of Isle of Pines, a seashore resort island near Charleston. As shown below, he constructed a spacious beach pavilion and a Ferris wheel on the property. He made his headquarters at the Charleston hotel, above, a venue he also came to own.
But Charleston was not enough to satisfy James’ ambitions. Married and with three children, he looked to Florida as a place for profitable investment. While always considering the South Carolina city home, he and his family maintained a residence in Miami. James’ principal investment was a 30,000 acre property near Florida City known popularly as Sottile Farms. After investing heavily in digging drainage canals and establishing roads, he leased farm plots to Italian-American farmers employing a tenant system used in Sicily. Assisted by his sons, James gradually built up holdings of over 5,000 acres of citrus groves and 10,000 head of cattle on 30,000 acres of pasture. He eventually owned nine Florida banks.
Said one South Florida newspaper report: “ Not long after the arrival of James Sottile on the scene Florida City morphed into an Italian community…The new farmers were very industrious and sacrificing and later prospered greatly. Sottile was also very generous, donating land for the State Farmers’ Market, farm worker housing… and the land for Homestead’s Bayfront Park.” Giovanni’s legacy lived on.
By the time of his death in 1964 at age 77, James was accounted one of the richest men in America. His body was carried from Florida back to Charleston where he was buried at St. Lawrence Cemetery not far from his brothers. Subsequent generations of Sottiles have carried on the family tradition of creative entrepreneurship, public service and concern for those less fortunate. They have placed a plaque with the names of the family members who immigrated to the United States on the “American Immigrant Wall of Honor” at Ellis Island and hold regular reunions. Importantly, descendants have given due respect to what generated the initial financial impetus for Sottile achievements: Selling whiskey. The image that opens this post was the cover of a family reunion brochure.
Note: Given their achievements, the Sottiles deserve book-length treatment, perhaps generated by the College of Charleston. Led to the brothers as “whiskey men” by the picture that opens this story, I found considerable material on genealogical sites and in newspaper articles, including obituaries. The family website offered photos. Unable to find a photo of James Sottile, I am hopeful a descendant will see this post and provide one.
One of my favorite articles of the year…. Woodford has announced their design for the 2022 Kentucky Derby limited edition bottle. This year’s bottle features the artwork of Kentucky native Jaime Corum, who is known for her horse portraits. …
One of my favorite articles of the year.... Woodford has announced their design for the 2022 Kentucky Derby limited edition bottle. This year’s bottle features the artwork of Kentucky native Jaime Corum, who is known for her horse portraits. The painting is title 'Dreams in Bloom' and shows three thoroughbreds racing surrounded by spring flowers, including the red roses of Derby.
The attention to detail in Jaime’s artwork is remarkable – and so realistic. This year’s bottle celebrating the 148th Kentucky Derby will make a gorgeous addition to anyone’s bar.
A bit about Jaime Corum... she earned her Masters of Fine Arts from The University of Kentucky says this about the bottle:
For me, Dreams in Bloom symbolizes that greatest moment on the First Saturday in May when the horses are in the final stretch of the race. A trio of front-runners have separated from the field, and from these three, one winner will emerge. They strive with every sinew in their being for the lead, giving their all. In this moment, time stands still, colors heighten, the roar of the crowd disappears until, in a flash, the new champion crosses the wire in front. For that fortunate one, the dream of winning the Kentucky Derby comes true.
My Take
The first Woodford Kentucky Derby bottle debuted in 1999, which was the 125th edition. I've been collecting these for a few years and my first bottle is the 2006. I don't collect a ton of bourbon because I think bourbon is for drinking, but this is my deviation from that. I'll be on the lookout for this and will be purchasing as soon as I find one!
What do you think? Drop a note in the comment box below.
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